At last! The eagerly anticipated revised edition of the photographer’s "business bible" is here, fully updated with the last word on key business... practices, industry standards, and resources. Up-to-the-minute coverage now includes digital asset management; metadata standards; the role of Internet, FTP, and e-mail technologies; the impact of media consolidation on assignment and stock photography; and much more. This indispensable guide covers the full range of business and legal questions that photographers might have, with comprehensive advice from the ASMP, the foremost authority in the field. In eleven in-depth chapters, more than two dozen industry experts explore pricing and negotiating, ethics, rights in traditional and electronic media, publishing, and much more. Business and legal forms, checklists, and an extensive cross-media bibliography make this the one reference book that deserves a place on every successful photographer’s bookshelf.

In 1967, after a twin baby boy suffered a botched circumcision, his family agreed to a radical treatment that would alter his gender. The case would... become one of the most famous in modern medicine—and a total failure. As Nature Made Him tells the extraordinary story of David Reimer, who, when finally informed of his medical history, made the decision to live as a male. A macabre tale of medical arrogance, it is first and foremost a human drama of one man's—and one family's—amazing survival in the face of terrible odds.

Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the... summer in California doing field work to earn extra money. They're not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn't hurt him when he was a kid. ''Look at me. I didn't die. All that work made me stronger.'' Gustavo, heading into his senior year, doesn't want to leave his girlfriend. And what will all his friends think? Gabriel doesn't care what anyone thinks; he's just not interested in spending the summer doing back-breaking labor. It's only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ''vacation.'' Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters' hopes and dreams for the future will resonate with young adult readers.

A magisterial new history of French society between the end of the middle ages and the Revolution by one of the world's leading authorities on early... modern France. Using colorful examples and incorporating the latest scholarship, William Beik conveys the distinctiveness of early modern society and identifies the cultural practices that defined the lives of people at all levels of society. Painting a vivid picture of the realities of everyday life, he reveals how society functioned and how the different classes interacted. In addition to chapters on nobles, peasants, city people, and the court, the book sheds new light on the Catholic church, the army, popular protest, the culture of violence, gendered relations, and sociability. This is a major new work that restores the ancien régime as a key epoch in its own right and not simply as the prelude to the coming Revolution.

For over 250 years American technology has been regarded as a unique hallmark of American culture and an important factor in American prosperity.... Despite this American history has rarely been told from the perspective of the history of technology. A Social History of American Technology fills this gap by surveying the history of American technology from the tools used by the earliest native inhabitants to the technological systems -- cars and computers, aircraft and antibiotics -- we are familiar with today. Cowan makes use of the most recent scholarship to explain how the unique characteristics of American cultures and American geography have affected the technologies that have been invented, manufactured, and used throughout the years. She also focuses on the key individuals and ideas that have shaped important technological developments. The text explains how various technologies have affected the ways in which Americans work, govern, cook, transport, communicate, maintain their health, and reproduce. Cowan demonstrates that technological change has always been closely related to social development, and explores the multiple, complex relationships that have existed between such diverse social agents as households and businesses, the scientific community and the defense establishment, artists and inventors. Divided into three sections -- colonial America, industrialization, the 20th century -- A Social History of American Technology is ideal for courses in American social and economic history, as a correlated text for the American history survey, as well as for courses that focus on the history of American technology. It offers students the unique opportunity to learn not only how profoundly technological change has affected the American way of life, but how profoundly the American way of life has affected technology.

Our experiences of dying have been shaped by ancient ideas about death and social responsibility at the end of life. From Stone Age ideas about dying as... otherworld journey to the contemporary Cosmopolitan Age of dying in nursing homes, Allan Kellehear takes the reader on a 2 million year journey of discovery that covers the major challenges we will all eventually face: anticipating, preparing, taming and timing for our eventual deaths. This is a major review of the human and clinical sciences literature about human dying conduct. The historical approach of this book places our recent images of cancer dying and medical care in broader historical, epidemiological and global context. Professor Kellehear argues that we are witnessing a rise in shameful forms of dying. It is not cancer, heart disease or medical science that presents modern dying conduct with its greatest moral tests, but rather poverty, ageing and social exclusion.

Since 1945 Europe has experienced many periods of turmoil and conflict and as many moments of peace and integration: from the devastation felt in the... aftermath of World War II to the recovery in the 1950s and 1960s; to the new challenges in the 1970s and 1980s when neoliberal policies led to fundamental social and economic changes, marked by the effects of the oil shock and widespread unemployment; and then 1989 and after when the existing world order experienced new convulsions. In this brilliant and comprehensive work, the author, one of the best known social historians of Europe, discusses a wide range of subjects, not shying away from controversial topics: family structure, work, consumption, values, migration, inequality, elites, civil society, social movements, media, welfare state, education, and urban policies. He focuses on the fundamental changes European societies underwent in the second half of the twentieth century but also explores what divides Europeans, what unites them, and what sets them apart from the rest of the world. This major historical work will be an important and highly sought-after addition for library collections as well as an important volume for course adoptions.

This volume provides an authoritative synthesis of recent work on the social history of France and is now thoroughly revised and updated to cover the... 'long nineteenth century' from 1789-1914. Peter McPhee offers both a readable narrative and a distinctive, coherent argument about this century. McPhee explores themes such as peasant interaction with the environment, the changing experience of work and leisure, the nature of crime and protest, changing demographic patterns and family structure, the religious practices of workers and peasants, and the ideology and internal repercussions of colonisation.

Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late... nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country’s first commercial film exhibitor saw the new medium in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897–1941Volume 2: The Industrializing Years, 1941–1978Volume 3: The Islamicate Period, 1978–1984Volume 4: The Globalizing Era, 1984–2010

Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late... nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 2 spans the period of Mohammad Reza Shah’s rule, from 1941 until 1978. During this time Iranian cinema flourished and became industrialized, at its height producing more than ninety films each year. The state was instrumental in building the infrastructures of the cinema and television industries, and it instituted a vast apparatus of censorship and patronage. During the Second World War the Allied powers competed to control the movies shown in Iran. In the following decades, two distinct indigenous cinemas emerged. The more popular, traditional, and commercial filmfarsi movies included tough-guy films and the “stewpot” genre of melodrama, with plots reflecting the rapid changes in Iranian society. The new-wave cinema was a smaller but more influential cinema of dissent, made mostly by foreign-trained filmmakers and modernist writers opposed to the regime. Ironically, the state both funded and censored much of the new-wave cinema, which grew bolder in its criticism as state authoritarianism consolidated. A vital documentary cinema also developed in the prerevolutionary era.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897–1941Volume 2: The Industrializing Years, 1941–1978Volume 3: The Islamicate Period, 1978–1984Volume 4: The Globalizing Era, 1984–2010