Combining the best features of traditional and modern methods, Athenaze: An Introduction to Ancient Greek, 2/e, provides a unique course of instruction... that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also provided. New to the Second Edition: * Short passages from Classical and New Testament Greek in virtually every chapter * The opening lines of the Iliad and the Odyssey toward the end of Book II * New vocabulary and more complete explanations of grammar, including material on accents * Many new exercises and additional opportunities for students to practice completing charts of verb forms and paradigms of nouns and adjectives * Updated Teacher's Handbooks for Books I and II containing translations of all stories, readings, and exercises; detailed suggestions for classroom presentation; abundant English derivatives; and additional linguistic information * Offered for the first time, Student Workbooks for Books I and II that include self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings

"Will undoubtedly become a standard work of reference."—Journal of Hellenic StudiesAthenian black figure vases bear the work of consummate artists... like Exekias, who depicted on them scenes of myth and everyday life that deepen our knowledge and understanding of Greek antiquity. John Boardman enables the reader to study the many aspects of the vases, and to grasp the essential style of a painter or group of painters, without having to consult a number of expensive, and not always easily accessible, publications. A final section is devoted to the mythological scenes and other decorative features of the vases. 385 black-and-white illustrations

Athens' democracy developed during the sixth and fifth centuries and continued into the fourth; Athens' defeat by Macedon in 322 began a series of... alternations between democracy and oligarchy. The democracy was inseparably bound up with the ideals of liberty and equality, the rule of law, and the direct government of the people by the people. Liberty means above all freedom of speech, the right to be heard in the public assembly and the right to speak one's mind in private. Equality meant the equal right of male citizens (perhaps 60,000 in the fifth century, 30,000 in the fourth) to participate in the government of the state and the administration of the law. Disapproved of as a mob rule until the nineteenth century, the institutions of Athenian democracy have become an inspiration for modern democratic politics and political philosophy. P. J. Rhodes's reader focuses on the political institutions, political activity, history, and nature of Athenian democracy and introduces some of the best British, American, German, and French scholarship on its origins, theory, and practice. Part I is devoted to political institutions: citizenship, the assembly, the law-courts, and capital punishment. Part II explores aspects of political activity: the demagogues and their relationship with the assembly, the maneuverings of the politicians, competitive festivals, and the separation of public from private life. Part III looks at three crucial points in the development of the democracy: the reforms of Solon, Cleisthenes, and Ephialtes. Part IV considers what it was in Greek life that led to the development of democracy. Some of the authors adopt broad-brush approaches to major questions; others analyze a particular body of evidence in detail. Use is made of archeology, comparison with other societies, the location of festivals in their civic context, and the need to penetrate behind what the classical Athenians made of their past.

The fifth century BC witnessed not only the emergence of one of the first democracies, but also the Persian and the Peloponnesian Wars. John Thorley... provides a concise analysis of the development and operation of Athenian democracy against this backdrop. Taking into account both primary source material and the work of modern historians, Athenian Democracy examines:* the prelude to democracy* how the democractic system emerged* how this system worked in practice* the efficiency of this system of government* the success of Athenian democracy.Including a useful chronology and blibliography, this second edition has been updated to take into account recent research.

Focusing on the works of three of the greatest orators in history–Demosthenes, Lysias, and Hypereides-this collection of speeches is an indispensable... source for anyone interested in classical civilization and literature, political science and rhetoric

In his sequel to "Athenian Black Figure Vases, " John Boardman, Professor Emeritus at Oxford University, covers the invention of the "red figure"... technique in about 530 BC. Professor Boardman illuminates the ancient art form by placing the painters and their vases within the history of Athens and the greater tradition of Greek mythology. 528 illus.

Like his other two works on Athenian Figure Vases, John Boardman offers a detailed survey of the important painters and workshops of the time, providing... readers with over five hundred illustrations and a complete bibliography. Particular attention is paid to the technique and to the production and marketing of these outstanding vases as well as to the information they provide about everyday life and the way this reflects the changing fortunes of Athens through the period. We see how the increasingly diverse subject matter throws much light on Greek myths and religious practice, and how the appearance of flamboyant vases in the final phases of the Classical period seems to show Athenian painters looking back to earlier achievements in their craft. 566 illus.

Western literature has become more influential in Africa since the independence of many of that continent’s countries in the early 1960s. In... particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler’s Demea, Efua Sutherland’s Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan’s Tegonni, Edward Kamau Brathwaite’s Odale’s Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba’s Black Wedding Candles for Blessed Antigone.

Athens and Sparta has established itself as a handbook to the main topics of Greek history in the classical period. It deals not only with the... established areas of political history, but also with some of the most important aspects of Greek social history and historical methods to the main topics of Greek history in the classical period. 

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-Franois Bonhomme. But... in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions. First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: we owe ourselves to death.Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human-and especially the philosopher-is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography-an eminently Greek word-means the writing of light,and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth-in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

This book has become a standard text in seminary and university classrooms. The purpose of this second edition is to help readers come to a... critically informed understanding of the Old Testament as the church's scripture. This book introduces the Old Testament both as a witness of ancient Israel and as a witness to the church and synagogue through the generations of those who have passed these texts on as scripture. The authors of this volume share a commitment to the interpretation of the Old Testament as a central resource for the life of the church today.  At the same time, they introduce the Old Testament witness in a manner that honors the importance of biblical scholarship in helping students engage the variety of theological voices within the Old Testament. This second edition gives special attention to deepening and broadening theological interpretations by including, for example, issues related to gender, race, and class.  It also includes more detailed maps and charts for student use.