Barrier-Free Theatre is a nuts-and-bolts, hands-on, comprehensive guide for making drama accessible to children and adults with disabilities. Why drama?... Drama can "level the playing field"; and empower participants of all ages. Dramatic interaction creates relationships that last long after a performance is over. Written for drama teachers, recreation leaders, special educators, therapists, and other group leaders, this book explains in simple, non-technical language how to make accommodations for successful participation in creative drama, improvisation, puppetry, rehearsals for traditional plays, and development of new plays geared to participants' strengths. Actors will gain self-confidence, improve their communication skills, find new ways to express themselves, and work more effectively and creatively with others. Ways to use drama as a tool to teach traditional classroom subjects, such as science, social studies, and language arts, are highlighted, as well as using it for instruction in social interaction and other vital life skills. Chapter 12 focuses on inclusion issues with typically developing peers in aesthetic and recreational settings.

Barriers takes place in South Carolina against the backdrop of the tumultuous struggle for civil rights of the 1950s. The lives of two families, the... Richardsons and the Stalwarts, are intertwined as the Stalwarts sharecrop on the Richardsons’ plantation, and Anne Stalwart, the mother, serves as the Richardsons’ maid. Events during the summer of 1952 thrust the families closer together and rock traditional racial barriers. William Stalwart, the eleven-year-old son, and Anita Richardson, the ten-year-old daughter, accidentally meet and, finding acceptance with each other, their friendship flourishes. They discover shelter at a pond where they secretly meet to swim. The Stalwarts also join the struggle for civil rights as the eldest son Lester becomes involved. Tensions mount when segregationists led by Charlie Stalwart discover these events.

Democracy-building efforts from the early 1990s on have funneled billions of dollars into nongovernmental organizations across the developing world,... with the U.S. administration of George W. Bush leading the charge since 2001. But are many such "civil society" initiatives fatally flawed? Focusing on the Palestinian West Bank and the Arab world, Barriers to Democracy mounts a powerful challenge to the core tenet of civil society initiatives: namely, that public participation in private associations necessarily yields the sort of civic engagement that, in turn, sustains effective democratic institutions. Such assertions tend to rely on evidence from states that are democratic to begin with. Here, Amaney Jamal investigates the role of civic associations in promoting democratic attitudes and behavioral patterns in contexts that are less than democratic. Jamal argues that, in state-centralized environments, associations can just as easily promote civic qualities vital to authoritarian citizenship--such as support for the regime in power. Thus, any assessment of the influence of associational life on civic life must take into account political contexts, including the relationships among associations, their leaders, and political institutions. Barriers to Democracy both builds on and critiques the multifaceted literature that has emerged since the mid-1990s on associational life and civil society. By critically examining associational life in the West Bank during the height of the Oslo Peace Process (1993-99), and extending her findings to Morocco, Egypt, and Jordan, Jamal provides vital new insights into a timely issue.

Democracy-building efforts from the early 1990s on have funneled billions of dollars into nongovernmental organizations across the developing world,... with the U.S. administration of George W. Bush leading the charge since 2001. But are many such "civil society" initiatives fatally flawed? Focusing on the Palestinian West Bank and the Arab world, Barriers to Democracy mounts a powerful challenge to the core tenet of civil society initiatives: namely, that public participation in private associations necessarily yields the sort of civic engagement that, in turn, sustains effective democratic institutions. Such assertions tend to rely on evidence from states that are democratic to begin with. Here, Amaney Jamal investigates the role of civic associations in promoting democratic attitudes and behavioral patterns in contexts that are less than democratic. Jamal argues that, in state-centralized environments, associations can just as easily promote civic qualities vital to authoritarian citizenship--such as support for the regime in power. Thus, any assessment of the influence of associational life on civic life must take into account political contexts, including the relationships among associations, their leaders, and political institutions. Barriers to Democracy both builds on and critiques the multifaceted literature that has emerged since the mid-1990s on associational life and civil society. By critically examining associational life in the West Bank during the height of the Oslo Peace Process (1993-99), and extending her findings to Morocco, Egypt, and Jordan, Jamal provides vital new insights into a timely issue.

With the introduction of more aggressive policing, prosecution, and sentencing in since the late 1970s, the number of Americans in prison has... increased dramatically. While many have credited these "get tough" policies with lowering violent crime rates, we are only just beginning to understand the broader costs of mass incarceration. In Barriers to Reentry? experts on labor markets and the criminal justice system investigate how imprisonment affects ex-offenders' employment prospects, and how the challenge of finding work after prison affects the likelihood that they will break the law again and return to prison. The authors examine the intersection of imprisonment and employment from many vantage points, including employer surveys, interviews with former prisoners, and state data on prison employment programs and post-incarceration employment rates. Ex-prisoners face many obstacles to re-entering the job market--from employers' fears of negligent hiring lawsuits to the lost opportunities for acquiring work experience while incarcerated. In a study of former prisoners, Becky Pettit and Christopher Lyons find that employment among this group was actually higher immediately after their release than before they were incarcerated, but that over time their employment rate dropped to their pre-imprisonment levels. Exploring the demand side of the equation, Harry Holzer, Steven Raphael, and Michael Stoll report on their survey of employers in Los Angeles about the hiring of former criminals, in which they find strong evidence of pervasive hiring discrimination against ex-prisoners. Devah Pager finds similar evidence of employer discrimination in an experiment in which Milwaukee employers were presented with applications for otherwise comparable jobseekers, some of whom had criminal records and some of whom did not. Such findings are particularly troubling in light of research by Steven Raphael and David Weiman which shows that ex-criminals are more likely to violate parole if they are unemployed. In a concluding chapter, Bruce Western warns that prison is becoming the norm for too many inner-city minority males; by preventing access to the labor market, mass incarceration is exacerbating inequality. Western argues that, ultimately, the most successful policies are those that keep young men out of prison in the first place. Promoting social justice and reducing recidivism both demand greater efforts to reintegrate former prisoners into the workforce. Barriers to Reentry? cogently underscores one of the major social costs of incarceration, and builds a compelling case for rethinking the way our country rehabilitates criminals.

Barrio Boy is the remarkable story of one boy's journey from a Mexican village so small its main street didn't have a name, to the barrio of Sacramento,... California, bustling and thriving in the early decades of the twentieth century. Galarza's saga begins in Jalcocotán, a mountain village just south of where the Gulf of California joins the Pacific. When the turmoil precipitated by the Mexican Revolution begins to escalate, the family leaves their tiny village in search of safety and work in a nearby city. Subsequent moves introduce the boy to the growing turbulence of the Revolution and the uncertainties of city life. He experiences firsthand the difficulties in finding work in a strife-torn nation, securing an education, and keeping a close-knit family intact. When his family finally settles in Sacramento, young Ernesto encounters new experiences and influences that will forever shape his outlook and broaden his horizons. With vivid imagery and a rare gift for re-creating a child's sense of time and place, Galarza gives an account of the early experiences of his extraordinary life that will continue to delight readers for decades to come. "Ernesto Galarza has written a long and vivid memoir of his childhood. The only disappointment in the book is that it does not go on for another couple of volumes to recount its author's rare career in redefining America." —The New York Review of Books "With its suspense, humor, and occasional sadness, Barrio Boy is splendid reading." —American Anthropologist "[A] personal document where historical self-explanation, philosophical self-analysis, and poetic self-expression merge to tell with irony and humor a social story: an individual's participation in one of the grandest migrations of modern times—the influx of Mexicans into the American Southwest." —Diacritics

About the Book  Since it was first published in 1971, Galarza's classic work has been assigned in high school and undergraduate classrooms across the... country, profoundly affecting thousands of students who read this true story of acculturation into American life.To celebrate the 40th anniversary of the publication of Barrio Boy, the University of Notre Dame Press is proud to reissue this best-selling book with a new text design and cover, as well an introduction--by Ilan Stavans, the distinguished cultural critic and editor of the Norton Anthology of Latino Literature--which places Ernesto Galarza and Barrio Boy in historical context.About the AuthorErnesto Galarza (1905-1984) was a labor organizer, historian, professor, and community activist. When he was eight, he migrated from Jalcocotan, Nayarit, Mexico, to Sacramento, California, where he worked as a farm laborer. He received a Ph.D. in history from Columbia University. In addition to Barrio Boy, he is the author of a number of books, including Strangers in Our Fields (1956), Merchants of Labor (1964), and Spiders in the House and Workers in the Fields (1970). In 1979, Dr. Galarza was nominated for the Nobel Prize in Literature."Unlike people who are born in hospitals, in an ambulance, or in a taxicab I showed up in an adobe cottage with a thatched roof that stood at one end of the only street of Jalcocotan, which everybody called Jalco for short. Like many other small villages in the wild, majestic mountains of the Sierra Madre de Nayarit, my pueblo was a hideaway. Even though you lived there, arriving in Jalco was always a surprise." --from Chapter 1Reviews of the original edition: ". . . An illuminating record of the forebodings of ordinary rural Mexicans at the beginning of the revolution." -- The New York Review of Books"With its suspense, humor, and occasional sadness, Barrio Boy is splendid reading." -- American Anthropologist "Galarza's proud and moving book is a testament to who he is, where he came from, and to the country which received him and in which he has devoted his life fighting for both la justicia and justice." -- Social Education Journal Barrio Boy is the remarkable story of one boy's journey from a Mexican village so small its main street didn't have a name, to the barrio of Sacramento, California, bustling and thriving in the early decades of the twentieth century. With vivid imagery and a rare gift for re-creating a child's sense of time and place, Ernesto Galarza gives an account of the early experiences of his extraordinary life--from revolution in Mexico to segregation in the United States--that will continue to delight readers for generations to come. 

Arlene Dávila brilliantly considers the cultural politics of urban space in this lively exploration of Puerto Rican and Latino experience in New York,... the global center of culture and consumption, where Latinos are now the biggest minority group. Analyzing the simultaneous gentrification and Latinization of what is known as El Barrio or Spanish Harlem, Barrio Dreams makes a compelling case that--despite neoliberalism's race-and ethnicity-free tenets--dreams of economic empowerment are never devoid of distinct racial and ethnic considerations.Dávila scrutinizes dramatic shifts in housing, the growth of charter schools, and the enactment of Empowerment Zone legislation that promises upward mobility and empowerment while shutting out many longtime residents. Foregrounding privatization and consumption, she offers an innovative look at the marketing of Latino space. She emphasizes class among Latinos while touching on black-Latino and Mexican-Puerto Rican relations. Providing a unique multifaceted view of the place of Latinos in the changing urban landscape, Barrio Dreams is one of the most nuanced and original examinations of the complex social and economic forces shaping our cities today.

Arlene Dávila brilliantly considers the cultural politics of urban space in this lively exploration of Puerto Rican and Latino experience in New York,... the global center of culture and consumption, where Latinos are now the biggest minority group. Analyzing the simultaneous gentrification and Latinization of what is known as El Barrio or Spanish Harlem, Barrio Dreams makes a compelling case that--despite neoliberalism's race-and ethnicity-free tenets--dreams of economic empowerment are never devoid of distinct racial and ethnic considerations.Dávila scrutinizes dramatic shifts in housing, the growth of charter schools, and the enactment of Empowerment Zone legislation that promises upward mobility and empowerment while shutting out many longtime residents. Foregrounding privatization and consumption, she offers an innovative look at the marketing of Latino space. She emphasizes class among Latinos while touching on black-Latino and Mexican-Puerto Rican relations. Providing a unique multifaceted view of the place of Latinos in the changing urban landscape, Barrio Dreams is one of the most nuanced and original examinations of the complex social and economic forces shaping our cities today.

The city of Nogales straddles the border running between Arizona and Sonora, Mexico. On the Mexican side, marginalized youths calling themselves Barrio... Libre (Free 'Hood) employ violence, theft, and bribery to survive, often preying on undocumented migrants who navigate the city's sewer system to cross the US-Mexico border. In this book, Gilberto Rosas draws on his in-depth ethnographic research among the members of Barrio Libre to understand why they have embraced criminality and how neoliberalism and security policies on both sides of the border have affected the youths' descent into Barrio Libre. Rosas argues that although these youths participate in the victimization of others, they should not be demonized. They are complexly and adversely situated. The effects of NAFTA have forced many of them, as well as other Mexicans, to migrate to Nogales. Moving fluidly with the youths through the spaces that they inhabit and control, he shows how the militarization of the border actually destabilized the region and led Barrio Libre to turn to increasingly violent activities, including drug trafficking. By focusing on these youths and their delinquency, Rosas demonstrates how capitalism and criminality shape perceptions and experiences of race, sovereignty, and resistance along the US-Mexico border.

Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa... explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.

Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the... large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican-American experience.Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how relationships with poorer coethnics and affluent whites evolve as immigrants and their descendants move into traditionally white middle-class occupations. Disputing the argument that Mexican communities lack high quality resources and social capital that can help Mexican Americans incorporate into the middle class, Vallejo also examines civic participation in ethnic professional associations embedded in ethnic communities.

Full-color photos on flash cards present close-ups of a model demonstrating 500 American Sign Language (ASL) signs. The meanings, brief descriptions of... hand and arm motions, and related words are listed on the reverse side of each card. Correct formations of hand shapes and facial expressions are clearly shown to eliminate any possible confusion regarding intended word meanings. Where appropriate, photos include directional arrows that show hand or arm movements. Each flash card has a hole in one corner to accommodate a metal ring included with the boxed set. Users can select and fit any combination of cards they please to combine relevant words and create statements, or to review signs that they have difficulty identifying. Here is an ideal method for recognizing and memorizing American Sign Language vocabulary--a fine learning resource for all who plan to work with deaf people.

This attractive, newly designed set of Barron's Anatomy Flash Cards makes an ideal study aid for med school students, nursing students, and health... care trainees who are preparing for tests. Each card pictures a human body part labeled with its medical name, location in the body, and function. A total of 265 4" x 6" cards show muscles, bones, and organs, and are color coded according to their general function in the human body. An important new feature in this second edition is a related Internet resource that contains electronic color images of each flash card. Students can now connect to Barron's special anatomy Web site and enter a unique code allowing them access to the interactive Web site. Once logged on, students can use the site's interactive technology to test themselves on every detail contained on the cards, and even create playlists of particular systems or areas where they require further study. The cards come boxed with a full-color, anatomically accurate poster that shows the human body and its major parts, as well as a toggle so cards can be pulled out and studied on-the-go. The poster unfolds to size 11 3/4" x 16 1/2".