You never dreamed being the boss would be so hard. You're caught in a web of conflicting expectations from subordinates, your supervisor, peers, and... customers.You're not alone. As Linda Hill and Kent Lineback reveal in Being the Boss, becoming an effective manager is a painful, difficult journey. It's trial and error, endless effort, and slowly acquired personal insight. Many managers never complete the journey. At best, they just learn to get by. At worst, they become terrible bosses.This new book explains how to avoid that fate, by mastering three imperatives:· Manage yourself: Learn that management isn't about getting things done yourself. It's about accomplishing things through others.· Manage a network: Understand how power and influence work in your organization and build a network of mutually beneficial relationships to navigate your company's complex political environment.· Manage a team: Forge a high-performing "we" out of all the "I"s who report to you.Packed with compelling stories and practical guidance, Being the Boss is an indispensable guide for not only first-time managers but all managers seeking to master the most daunting challenges of leadership.

A modern classic now available from Grove Press, Being There is one of the most popular and significant works from a writer of international stature. It... is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.

How can an academic who does not believe evil spirits cause illness harbor the hope that her cancer may be cured by a healer who enters a trance to... battle her demons? Whose actions are more (or less) honorable: those of a prostitute who sells her daughter’s virginity to a rich man, or those of a professor who sanctions her daughter’s hook-ups with casual acquaintances? As they immerse themselves in foreign cultures and navigate the relationships that take shape, the authors of these essays, most of them trained anthropologists, find that accepting cultural difference is one thing, experiencing it is quite another. In tales that entertain as much as they illuminate, these writers show how the moral and intellectual challenges of living cross-culturally revealed to them the limits of their perception and understanding.Their insights were gained only after discomforts resulting mainly from the authors’ own blunders in the field. From Brazil to Botswana, Egypt to Indonesia, Mongolia to Pakistan, mistakes were made. Offering a gift to a Navajo man at the beginning of an interview, rather than the end, caused one author to lose his entire research project. In Côte d’Ivoire, a Western family was targeted by the village madman, leading the parents to fear for the safety of their child even as they suspected that their very presence had triggered his madness. At a time when misunderstanding of cultural difference is an undeniable source of conflict, we need stories like these more than ever before.

Challenges to ethnographic authority and to the ethics of representation have led many contemporary anthropologists to abandon fieldwork in favor of... strategies of theoretical puppeteering, textual analysis, and surrogate ethnography. In Being There, John Borneman and Abdellah Hammoudi argue that ethnographies based on these strategies elide important insights. To demonstrate the power and knowledge attained through the fieldwork experience, they have gathered essays by anthropologists working in Morocco, Saudi Arabia, Syria, Tanzania, the Canadian Arctic, India, Germany, and Russia that shift attention back to the subtle dynamics of the ethnographic encounter. From an Inuit village to the foothills of Kilimanjaro, each account illustrates how, despite its challenges, fieldwork yields important insights outside the reach of textual analysis.

Take a Tour Through the Mind of a Shopper"What's my test of a book I've been asked to review? Pure selfishness. How intense are the underlinings? How... many quotes can I add to my presentations? How often are the things I believe 'for sure' effectively challenged? Phil Lempert's Being the Shopper is off the charts on all three counts. And not-so-incidentally, though Phil is a 'supermarket guru,' this book will inform anyone who markets anything."-- Tom Peters, coauthor, In Search of Excellence"Being the Shopper is gourmet reading . . . a delicious and healthy resource for the smart shopper and forward-thinking marketer. Set your taste buds for Lempert's cutting-edge insights and pragmatic advice on the one experience we all share!"-- Chip Bell, author, Customer Love and Customers as Partners"Phil Lempert convinces me I'm something called a consumer. It seems I'm obtuse, savvy, sensual, and picky-- and that my dynamics and demographics are constantly changing. So if you want me to buy something, you ought to try and understand me. reading Being the Shopper seems (to me) a real good place to start."-- Barry Gibbons, former Chairman/CEO of Burger Kingauthor and entrepreneur"Rarely do you come across a book that's as meaningful to students and 25-year marketers alike. Being the Shopper delivers to both audiences by enlightening the reader on how to approach critical issues if you want to succeed in today's incredibly demanding environment. It's easy to talk about listening to the voice of your customer, but Mr. Lempert provides a refreshing guide as to how you really can do it." -- Brian Perkins, Worldwide Chairman, Consumer Pharmaceuticals and Nutritionals Group, Johnson & Johnson"Is there anything more American than choice? We expect it, we demand it, we revel in it. Phil Lempert understands what your customers really want, and how you can help them find it."-- Steve Rivkin, President, Rivkin & Associatescoauthor, IdeaWise and Differentiate or Die

Being Urban examines the dynamic interplay between what theoretical perceptions tell us about urban life and how ordinary people interpret and respond... to the actual experience of living in cities. A major focus of inquiry is the strategies people use to create "community" in an environment where, many theorists believe, only alienation and progressive disintegration are possible. In the second edition of this important work, the authors have expanded their commitment to interdisciplinary perspectives and have also included chapters on significant topics that have been largely neglected in urban sociology. Part I provides a review of the themes of urban sociology developed by nineteenth-century classic theorists and early American social scientists. In Part II, the authors look at selected aspects of everyday city life, including the bases of community, the primacy of social interaction for an understanding of urban life, and conditions that produce the breakdown of urban tolerance for diversity of cultures and lifestyles. A new chapter in Part II studies women's experiences in cities. Part III explores institutional structures of urban life and broad patterns of cultural change. A fascinating chapter focuses on power, stratification, and class structure in cities, while a new chapter analyzes the role of sports in urban life. The final chapter discusses city life in the postindustrial era, and the demographic, cultural, and historical factors that lie behind the ongoing transformation of American cities. This new edition offers a balanced treatment that avoids the anti-urban bias characteristic of much that has been written on the subject. Being Urban is appropriate for professionals and academics concerned with urban life, as well as for courses in urban sociology.

In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body--stripped it of special techniques and star status,... traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer--or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s--from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances--Lambert-Beatty explores how these performances embodied what Rainer called "the seeing difficulty." (As Rainer said: "Dance is hard to see.") Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover--when images of war played nightly on the television news--Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.

The Buddhist approach to death can be of great benefit to people of all backgrounds—as has been demonstrated time and again in Joan Halifax’s... decades of work with the dying and their caregivers. Inspired by traditional Buddhist teachings, her work is a source of wisdom for all those who are charged with a dying person’s care, facing their own death, or wishing to explore and contemplate the transformative power of the dying process. Her teachings affirm that we can open and contact our inner strength, and that we can help others who are suffering to do the same.

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the... universe to how to load the dishwasher. If being wrong is so natural, why are we all so bad at imagining that our beliefs could be mistaken, and why do we react to our errors with surprise, denial, defensiveness, and shame? In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken, and how this attitude toward error corrodes relationships—whether between family members, colleagues, neighbors, or nations. Along the way, she takes us on a fascinating tour of human fallibility, from wrongful convictions to no-fault divorce; medical mistakes to misadventures at sea; failed prophecies to false memories; "I told you so!" to "Mistakes were made." Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she proposes a new way of looking at wrongness. In this view, error is both a given and a gift—one that can transform our worldviews, our relationships, and, most profoundly, ourselves. In the end, Being Wrong is not just an account of human error but a tribute to human creativity—the way we generate and revise our beliefs about ourselves and the world. At a moment when economic, political, and religious dogmatism increasingly divide us, Schulz explores with uncommon humor and eloquence the seduction of certainty and the crises occasioned by error. A brilliant debut from a new voice in nonfiction, this book calls on us to ask one of life's most challenging questions: what if I'm wrong?

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the... universe to how to load the dishwasher. In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken. Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she shows that error is both a given and a gift—one that can transform our worldviews, our relationships, and ourselves.

"This is an excellent collection of essays on youth in a number of Muslim majority (and minority) societies in the context of globalization and... modernity. A particular strength of this volume is its ability to highlight the multiple and contested roles of religion and personal faith in the fashioning of contemporary youthful Muslim identities. Such insights often challenge secular Western master narratives of modernity and suggest credible reconceptualizations of what it means to be young and modern in a broad swath of the world today."-- Asma Afsaruddin, Professor of Islamic Studies, Indiana UniversityIn recent years, there has been a proliferation of interest in youth issues and Muslim youth in particular. Young Muslims have been thrust into the global spotlight in relation to questions about security and extremism, work and migration, and rights and citizenship. This book interrogates the cultures and politics of Muslim youth in the global South and North to understand their trajectories, conditions, and choices. Drawing on wide-ranging research from Indonesia to Iran and Germany to the U.S., it shows that while the majority of young Muslims share many common social, political, and economic challenges, they exhibit remarkably diverse responses to them. Far from being "exceptional," young Muslims often have as much in common with their non-Muslim global generational counterparts as they share among themselves. As they migrate, forge networks, innovate in the arts, master the tools of new media, and assert themselves in the public sphere, Muslim youth have emerged as important cultural and political actors on a world stage.

A New York Times Notable Book: A celebrated memoir of life in war-torn Beirut, spanning the 1982 Israeli Invasion and fifteen years of civil war.As... relevant now as it was when first published in 1990, Beirut Fragments records what it is like to live amid shellings, bombings, and gunfights between militias in the streets. While others fled, Makdisi chose to stay, to raise her sons, and to participate in the spirited life of the remaining community. This intensely personal memoir deliberately avoids the political dimension, yet through an exploration of her own migrations—from Jerusalem to Cairo, the United States, and finally Beirut—Makdisi illuminates root causes that reach back to the region's colonial past and presents "a profound indictment of the inhuman politics of this conflict" (Michael C. Hudson, Georgetown University).

Beirut Nightmares is set at the height of the Lebanese Civil War. The narrator, trapped in her apartment for two weeks by street battles and sniper... fire, writes a series of vignettes peopled by an extraordinary cast of characters, some drawn from shocking waking world and others living only in the sleeping minds, of those suffering in the conflict. Named in the top-ten of The best 100 Arabic Books by the Arab Writers Union in 2010