Zwei Jungen wachsen im selben Haus auf und gehen in die selbe Schulklasse. Jeder wird als einziges Kind von verständnis- und liebevollen Eltern... erzogen. Selbstverständlich werden sie gute Freunde und jeder ist in der Familie des anderen daheim. Doch Friedrich Schneider ist Jude und allmählich wirft der Nationalsozialismus seine Schatten über ihn. Langsam gleitet die Geschichte aus der heilen Kinderwelt in ein unfassbares Dunkel.

All Ana Ruiz wanted was to have a traditional quinceañera for her daughter, Carmen. She wanted a nice way to mark this milestone year in her daughter's... life. But Carmen was not interested in celebrating. Hurt and bitter over her father Esteban's departure, she blamed Ana for destroying their happy family, as did everyone else. A good man is hard to find, especially at your age Ana was told. Why not forgive his one indiscretion? Despite everything, Ana didn't want to tarnish Carmen's childlike devotion to her beloved father. But Ana knows that growing up sometimes means facing hard truths. In the end, Ana discovers that if she's going to teach Carmen anything about what it means to be a woman, it will take more than simply a fancy party to do it... "Belinda Acosta's Damas, Dramas, and Ana Ruiz delivers all its title promises and more: it's a book about damas of all ages, from teenage girls to the struggling mothers of those teenage girls; it's packed with drama so you don't want to stop reading; it's a novel that deeply and honestly tells the story of Ana Ruiz, her own coming of age as a woman and as a mother. Belinda Acosta is up to all of the challenges of such a rich panorama of characters and events. She's sassy, she's smart, she makes it look easy! But it takes a lot of hard work and a pile of talent to write such an engaging, touching book. A wonderful quinceañera of a novel!" --- Julia Alvarez, author of Once Upon a Quinceañera: Coming of Age in the USA and Return to Sender"Lively and perceptive... Acosta empathically captures the innermost feelings of her characters." --- Booklist

p align='justify'>Elle l aimait, elle en était aimée mais la bienséance et la mort la séparèrent de lui.Ce roman,... dont Alexandre Dumas fils tira aussi un drame, est inspiré de l existence authentique de Marie Duplessis. Merveilleusement belle et intelligente, cette courtisane fut adorée du Tout-Paris et de l auteur lui-même. Il dut renoncer à elle, car il n était pas assez riche. Verdi fit de ce drame un opéra sublime, La Traviata, que Franco Zeffirelli filma avec grand art.Armand et Marguerite vivent un amour immense qui survit à tous les obstacles et à toutes les tromperies. Le père d Armand interdit cet amour inconvenant. Mais rien n aura empêché le bonheur d aimer, la virginité retrouvée, l argent et les conventions dédaignés. L amour véritable, c était pour Marguerite l espoir, le rêve et le pardon de sa vie. Tout lui fut donné, mais à quel prix !Présentation et notes d Antoine Livio. 

p align='justify'>Elle l aimait, elle en était aimée mais la bienséance et la mort la séparèrent de lui.Ce roman,... dont Alexandre Dumas fils tira aussi un drame, est inspiré de l existence authentique de Marie Duplessis. Merveilleusement belle et intelligente, cette courtisane fut adorée du Tout-Paris et de l auteur lui-même. Il dut renoncer à elle, car il n était pas assez riche. Verdi fit de ce drame un opéra sublime, La Traviata, que Franco Zeffirelli filma avec grand art.Armand et Marguerite vivent un amour immense qui survit à tous les obstacles et à toutes les tromperies. Le père d Armand interdit cet amour inconvenant. Mais rien n aura empêché le bonheur d aimer, la virginité retrouvée, l argent et les conventions dédaignés. L amour véritable, c était pour Marguerite l espoir, le rêve et le pardon de sa vie. Tout lui fut donné, mais à quel prix !Présentation et notes d Antoine Livio. 

“A marvelous book ... riveting and deeply informed.”—Noam ChomskyLong before a devastating earthquake hit in January 2010, Haiti was one of the... most impoverished and oppressed countries in the world. However, in the late 1980s a remarkable popular mobilization known as Lavalas (“the flood”) sought to liberate the island from decades of US-backed dictatorial rule. Damming the Flood analyzes how and why the Lavalas governments led by President Jean-Bertrand Aristide were overthrown, in 1991 and again in 2004, by the enemies of democracy in Haiti and abroad. The elaborate campaign to suppress Lavalas was perhaps the most successful act of imperial sabotage since the end of the Cold War. It has left the people of Haiti at the mercy of some of the most rapacious political and economic forces on the planet. Updated with a substantial new afterword that addresses the international response to the earthquake, Damming the Flood is both an invaluable account of recent Haitian history and an illuminating analysis of twenty-first-century imperialism.

Like most publishers, we at Brick Road Poetry Press list submission guidelines on our website. Additionally we go beyond the guidelines to include lists... of “characteristics we like” and “characteristics we dislike.” In Damnatio Memoriae, the winner of the Brick Road Poetry Prize, Michael Meyerhofer gives the impression of having gone down that list to check off each item one by one with almost every poem in the collection. As to the characteristics we dislike, he avoids them all including no “intentional obscurity or riddling,” no “highfalutin vocabulary” or “lack of recognizable theme or topic.” Without a doubt, these poems reveal wise insights on the human perspective, but never at the cost of being overly serious, scholarly, or mysterious. The reader of these poems faces no risk of boredom—quite the contrary. Imagination and a beguiling tongue-in-cheek tone are the trademarks of Michael Meyerhofer’s poetry. His work hits all our “like” buttons as it speaks in “a coherent human voice,” though not always his own or the one you might expect, but one with “a sense of humor” that uses “words and language as [a] springboard for playful exploration.” In many of these poems, the speaker possesses an inquisitive mind with an avid interest in history and even pre-history, fueled by the Discovery and History channels, Google searches, and museums. These poems dramatize a mind capable of straddling centuries, combining in the same breath an ancient scene with a contemporary evaluation, as when in the title poem, “Damnatio Memoriae,” we encounter a Roman “slave/who fell from a twine-wrapped ladder/that OSHA would never condone.” Such use of anachronism strikes us as both clever and funny. In “The Original Swastika,” we’re guided briskly through history, spotting the association-laden symbol in cultures as varied as the Romans, early Christians, Buddhists, Hindus, Navajos, and finally, “on the hoods /of German sedans.” This whirlwind tour succinctly reminds us that the meanings of symbols morph over time and across cultures and that our recent memories and associations tend to obscure the resonances assigned in prior eras. His persona poems conjure speakers from worlds we know and from worlds we wish we knew, and every scene, setting or experience is depicted intensely with concrete imagery and drama. At first blush, “Dear Students,” appears to argue for the conceit that writing poetry today rises from the same impulse that produced Stone Age cave paintings. Yet the poem does so much more than simply propose a comparison. It actually delivers a vivid experience from the point of view of a Paleolithic hunter, as if to say poetry is about beauty, guilt, and survival. Although many of these poems pursue history, the contemporary perspective and the everyday moment are not neglected. In “For Tanya, Whose Fate Remains Unknown,” the speaker receives a phone call about “bad news” concerning a daughter he doesn’t have. The surprise of the erroneous call sets off a poignant daydream of what peril the “daughter” Tanya might be suffering, and then an even deeper imagining of memories that might be slipping away from Tanya as she bleeds. These poems wake you up with their surprising twists, with the intensity of their speakers, and with the inventiveness of their lines and concepts. Sometimes these poems even risk offending the reader by tampering with archetypes, as in “Hansel’s Redemption” where the question of what ever happened to Hansel and Gretel is answered with a scandalous narrative. As you may have guessed, Damnatio Memoriae easily asserted itself as the winner of our inaugural Brick Road Poetry Prize. We’re proud to be publishing it and further encourage you to seek out Michael Meyerhofer’s other books immediately. Keith Badowski & Ron Self Brick Road Poetry Press Columbus, GA

An exceptional new collection of short stories by Percival Everett, author of the highly praised and wickedly funny novel ErasurePeople are just... naturally hopeful, a term my grandfather used to tell me was more than occasionally interchangeable with stupid.A cop, a cowboy, several fly fishermen, and a reluctant romance novelist inhabit these revealing and often hilarious stories. An old man ends up in a high-speed car chase with the cops after stealing the car that blocks the garbage bin at his apartment building. A stranger gets a job at a sandwich shop and fixes everything in sight: a manual mustard dispenser, a mouthful of crooked teeth, thirty-two parking tickets, and a sexual-identity problem.Percival Everett is a master storyteller who ingeniously addresses issues of race and prejudice by simultaneously satirizing and celebrating the human condition.

Problems of individual moral choice have always been closely bound up with the larger normative concerns of political theory. There are several reasons... for this continuing connection. First, the value conflicts involved in private moral choice often find themselves reproduced on the public stage: for example, states may find it difficult to do right by both justice and mercy in much the same way individuals do. Second, we frequently find conflicts among the values at stake in individual life and public life, such that the moral choice we must make is between private and public goods. Loosely speaking, choices which express these conflicts are what philosophers call moral dilemmas: choices in which no matter what one does one will be forfeiting some important moral good; in which wrongdoing is to some degree inescapable; in which one is (perhaps literally) damned if one does and damned if one doesn't.The eight essays collected in this volume explore the philosophical problem of moral dilemmas as that problem finds expression in ancient drama, classic and contemporary novels, television, film, and popular fiction. They consider four main types of dilemmas. In the first section, the authors examine dilemmas associated with political stability and regime change as expressed in the HBO television series Deadwood and in Stephen King's novels and short stories. The second section confronts dilemmas associated with public leadership, considering the ethical conflicts in Aeschylus's classical dramas The Suppliants, Tolkien's Lord of the Rings, and in the contemporary FOX television series 24. In the volume's third section, the authors examine dilemmas of institutional evil, specifically slavery, as they emerge in Harriet Beecher Stowe's classic novel Uncle Tom's Cabin and in J.K. Rowling's Harry Potter novels. Finally, the collection considers dilemmas of community and choice in Toni Morrison's novel Paradise and in the contemporary film A Simple Plan.

Here, by popular demand, is the updated edition to Joel Best's classic guide to understanding how numbers can confuse us. In his new afterword, Best... uses examples from recent policy debates to reflect on the challenges to improving statistical literacy. Since its publication ten years ago, Damned Lies and Statistics has emerged as the go-to handbook for spotting bad statistics and learning to think critically about these influential numbers.

Does the number of children gunned down double each year? Does anorexia kill 150,000 young women annually? Do white males account for only a sixth of... new workers? Startling statistics shape our thinking about social issues. But all too often, these numbers are wrong. This book is a lively guide to spotting bad statistics and learning to think critically about these influential numbers. Damned Lies and Statistics is essential reading for everyone who reads or listens to the news, for students, and for anyone who relies on statistical information to understand social problems.Joel Best bases his discussion on a wide assortment of intriguing contemporary issues that have garnered much recent media attention, including abortion, cyberporn, homelessness, the Million Man March, teen suicide, the U.S. census, and much more. Using examples from the New York Times, the Washington Post, and other major newspapers and television programs, he unravels many fascinating examples of the use, misuse, and abuse of statistical information.In this book Best shows us exactly how and why bad statistics emerge, spread, and come to shape policy debates. He recommends specific ways to detect bad statistics, and shows how to think more critically about "stat wars," or disputes over social statistics among various experts. Understanding this book does not require sophisticated mathematical knowledge; Best discusses the most basic and most easily understood forms of statistics, such as percentages, averages, and rates.This accessible book provides an alternative to either naively accepting the statistics we hear or cynically assuming that all numbers are meaningless. It shows how anyone can become a more intelligent, critical, and empowered consumer of the statistics that inundate both the social sciences and our media-saturated lives.

Prior to 1640, when the regular slave trade to New Spain ended, colonial Mexico was the second largest slaveholding society in the New World. Even so,... slaves of African descent in Mexico were surrounded by a much larger indigenous majority, and by the second half of the seventeenth century there were more free Afromexicans than slaves in the colony. While it seems logical to assume that these unique demographic conditions may have created a situation ripe for slaves to challenge their oppression, Proctor's study reexamines those assumptions.Damned Notions of Liberty explores the lived experience of slavery from the perspective of slaves themselves to reveal how the enslaved may have conceptualized and contested their subordinated social positions in New Spain's middle colonial period (roughly 1630 1760s). Relying heavily on trials from civil, ecclesiastical, and Inquisitorial courts, the study offers a detailed examination of some of the central issues to the culture of slavery labor, family, cultural community, individual and collective agency, and access to liberation to provide a more integrated picture of slavery in colonial Mexico.

Damned to Fame is the brilliant and insightful portrait of Nobel Prize-winning author Samuel Beckett, mysterious and reclusive master of... twentieth-century literature. Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly re-creates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.

In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan... evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.

Damn Good Advice (For People With Talent!) is a look into the mind of one of America's most legendary creative thinkers, George Lois. Offering... indispensle lessons, practical advice, facts, anecdotes and inspiration, this book is a timeless creative bible for all those looking to succeed in life, business and creativity. These are key lessons derived from the incomparle life of 'Master Communicator' George Lois, the original Mad Man of Madison Avenue. Written and compiled by the man The Wall Street Journal called "prodigy, enfant terrible, founder of agencies, creator of legends," each step is borne from a passion to succeed and a disdain for the status quo.Organised into inspirational, bite-sized pointers, each page offers fresh insight into the sources of success, from identifying your heroes to identifying yourself. The ideas, images and illustrations presented in this book are fresh, witty and in-your-face. Whether it's communicating your point in nanosecond, creating an explosive portfolio or making your presence felt, no one is better placed than George Lois to teach you the process of creativity.Poignant, punchy and to-the-point, Damn Good Advice (For People With Talent!) is a must have for anyone on a quest for success.