Michele Wallace burst into public consciousness with the 1979 publication of Black Macho and the Myth of the Superwoman, a pioneering critique of the... misogyny of the Black Power movement and the effects of racism and sexism on black women. Since then, Wallace has produced an extraordinary body of journalism and criticism engaging with popular culture and gender and racial politics. This collection brings together more than fifty of the articles she has written over the past fifteen years. Included alongside many of her best-known pieces are previously unpublished essays as well as interviews conducted with Wallace about her work. Dark Designs and Visual Culture charts the development of a singular, pathbreaking black feminist consciousness.Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.

Profiler Roy Hazelwood is the world's leading expert on the strangest and most dangerous of all aberrant offenders--the sexual criminal. In Dark Dreams... he reveals the twisted motives and perverse thinking that go into the most reprehensible crimes. He also catalogs the innovative and remarkably effective techniques--techniques that he helped pioneer at the FBI's Behavioral Science Unit--that allow Law Enforcement agents to construct psychological profiles of the offenders who comit them.Hazelwood has helped track down some of the most violent and well known criminals in modern history; in Dark Dreams he takes readers into his world--a sinister world inhabited by scores of dangerous offenders for every Roy Hazelwood who would put them behind bars. These are sexual sadists, serial rapists, child molesters, and serial killers. The cases he describes are as shocking as they are perplexing; their resolutions are as fascinating as they are innovative:* A young woman disappears from the convenience store where she works. Her body is later found in a field, strapped to a makeshift St. Andrew's Cross and mutilated beyond description. Who committed this heinous crime? And why?* A teenager's corpse is found hanging in a storm sewer. His clothes are neatly folded by the entrance and a stopwatch lies in the grime beneath him. Is he the victim of a bizarre, ritualistic murder . . . or an elaborate masturbatory fantasy gone awry?* A married couple, driving with their toddler in the back seat, pick up a female hitchhiker. They kidnap her and for seven years keep her in a box under their bed as a sexual slave. The wife had agreed to this inhuman arrangement in exchange for a second child. Who was to blame?But as gruesome as the crimes are and as unsettling as the odds seem, Hazelwood, writing with veteran journalsit Stephen Michaud, proves that the right amounts of determination and logic can bring even the most cunning and devious criminals to justice. Dark Dreams is a 2002 Edgar Award Nominee for Best Fact Crime.

Come feel the cool and shadowed breeze,come smell your way among the trees,come touch rough bark and leathered leaves:Welcome to the night.Welcome to... the night, where mice stir and furry moths flutter. Where snails spiral into shells as orb spiders circle in silk. Where the roots of oak trees recover and repair from their time in the light. Where the porcupette eats delicacies—raspberry leaves!—and coos and sings.Come out to the cool, night wood, and buzz and hoot and howl—but do beware of the great horned owl—for it’s wild and it’s windy way out in the woods! This Newbery Honor-winning picture book combines beautifully written poetry with facts of the forest and elaborate illustrations to form a marvelously engaging collection.

Paul Gilroy seeks to awaken a new understanding of W. E. B. Du Bois’ intellectual and political legacy. At a time of economic crisis, environmental... degradation, ongoing warfare, and heated debate over human rights, how should we reassess the changing place of black culture? Gilroy considers the ways that consumerism has diverted African Americans’ political and social aspirations. Luxury goods and branded items, especially the automobile—rich in symbolic value and the promise of individual freedom—have restratified society, weakened citizenship, and diminished the collective spirit. Jazz, blues, soul, reggae, and hip hop are now seen as generically American, yet artists like Jimi Hendrix, Chuck Berry, and Bob Marley, who questioned the allure of mobility and speed, are not understood by people who have drained their music of its moral power. Gilroy explores the way in which objects and technologies can become dynamic social forces, ensuring black culture’s global reach while undermining the drive for equality and justice. Drawing on the work of a number of thinkers, including Michel Foucault, Hannah Arendt, Primo Levi, and Frantz Fanon, he examines the ethical dimensions of living in a society that celebrates the object. What are the implications for our notions of freedom? With his brilliant, provocative analysis and astonishing range of reference, Gilroy revitalizes the study of African American culture. He traces the shifting character of black intellectual and social movements, and shows how we can construct an account of moral progress that reflects today’s complex realities.

ON A COLD, SNOWY NIGHT IN 1985, TWO MEN BEGGED FOR THEIR LIVES.In 1985, two 27-year-old friends left their suburban Detroit homes for a hunting trip in... rural Michigan. When they did not return, their families and police suspected foul play. For 18 years, no one could prove a thing. Then, a relentless investigator got a witness to talk, and a horrifying story emerged. FOR NEARLY TWO DECADES, THEIR KILLERS WENT FREE.In 2003, this bizarre case hit the glare of the criminal justice system, as prosecutors charged two brothers, Raymond and Donald Duvall, with murder. With no bodies ever found, the case hinged on the testimony of one terrified witness who saw a bloody scene unfold-and who was still nearly too frightened to talk. THEN A WITNESS TOLD HER CHILLING STORYNow, the truth behind an 18-year-old mystery is revealed against the backdrop of an unusual, electrifyingly dramatic trial. Raymond and Donald Duvall bragged to friends that they killed their victims, chopped up their bodies and fed them to pigs. A Michigan jury soon had evidence of this brutally methodical execution-evidence that would lead a shocked courtroom through the heart of evil and beyond a shadow of a doubt.

“Evil’s regenerative powers and one girl’s fierce resistance. . . . A book that deserves a wide audience.”—The Cleveland Plain Dealer ... “Filled with grand plot events and clearly identifiable villains and victims . . . lush with detail and captivating with its story of racial tension and family violence.”—The Washington Post Book World “[An] exceptional debut novel. . . . [Has] a depth and dimension not often characteristic of a first novel.”—Library Journal (starred) “Phillips writes with a no-nonsense elegance. . . . As a vision of African-American life, The Darkest Child is one of the harshest novels to arrive in many years. . . . [Phillips] buttresses those harsh episodes with a depth of characterization worthy of Chekhov, pitch-perfect dialogue, and a profound knowledge of the segregated South in the ’50s.”—The New Leader Rozelle Quinn is so fair-skinned that she can pass for white. Her ten children are mostly light, too. They constitute the only world she rules and controls. Her power over them is all she has in an otherwise cruel and uncaring universe. Rozelle favors her light-skinned kids, but Tangy Mae, 13, her darkest-complected child, is the brightest. She desperately wants to continue with her education. Her mother, however, has other plans. Rozelle wants her daughter to work cleaning houses for whites, like she does, and accompany her to the “Farmhouse,” where Rozelle earns extra money bedding men. Tangy Mae, she’s decided, is of age. This is the story from an era when life’s possibilities for an African-American were unimaginably different. Delores Phillips was born in Bartow County, Georgia in 1950, the second of four children. She graduated from Cleveland State University with a bachelor of arts in English and works as a nurse at a state psychiatric hospital. Her work has appeared in Jean’s Journal, Black Times, and The Crisis. She has lived in Cleveland, Ohio since 1964.

From the acclaimed author of Dissolution comes a new sixteenth-century thriller featuring hunchback lawyer Matthew Shardlake. In 1540, during the reign... of Henry VIII, Shardlake is asked to help a young girl accused of murder. She refuses to speak in her defense even when threatened with torture. But just when the case seems lost, Thomas Cromwell, the king’s feared vicar general, offers Shardlake two more weeks to prove his client’s innocence. In exchange, Shardlake must find a lost cache of "Dark Fire," a legendary weapon of mass destruction. What ensues is a page-turning adventure, filled with period detail and history.

Though reviled for more than a century as Wall Street's greatest villain, Jay Gould was in fact its most original creative genius. Gould was the robber... baron's robber baron, the most astute financial and business strategist of his time and also the most widely hated. In Dark Genius of Wall Street, acclaimed biographer Edward J. Renehan, Jr., combines lively anecdotes with the rich social tapestry of the Gilded Age to paint the portrait of the most talented financial buccaneer of his generation-- and one of the inventors of modern business.

Like a snowflake or a fingerprint, we are all one of a kind and have a special contribution to make. The late Kaleel Jamison, one of the first women... to enter the field of management consulting, experienced what she described as "nibbles," little bites that life takes out of you--really attacks on your self confidence. Her longtime best selling book, The Nibble Theory, is a process for dealing with the world that moves the reader toward personal power and growth arising out of the unique values and strengths of each person.

In this innovative and deeply felt work, Bron Taylor examines the evolution of "green religions" in North America and beyond: spiritual practices that... hold nature as sacred and have in many cases replaced traditional religions. Tracing a wide range of groups--radical environmental activists, lifestyle-focused bioregionalists, surfers, new-agers involved in "ecopsychology," and groups that hold scientific narratives as sacred--Taylor addresses a central theoretical question: How can environmentally oriented, spiritually motivated individuals and movements be understood as religious when many of them reject religious and supernatural worldviews? The "dark" of the title further expands this idea by emphasizing the depth of believers' passion and also suggesting a potential shadow side: besides uplifting and inspiring, such religion might mislead, deceive, or in some cases precipitate violence. This book provides a fascinating global tour of the green religious phenomenon, enabling readers to evaluate its worldwide emergence and to assess its role in a critically important religious revolution.

When in 1997 golfer Tiger Woods described his racial identity on Oprah as "cablinasian," it struck many as idiosyncratic. But by 2003, a New York Times... article declared the arrival of "Generation E.A."—the ethnically ambiguous. Multiracial had become a recognizable social category for a large group of Americans.Making Multiracials tells the story of the social movement that emerged around mixed race identity in the 1990s. Organizations for interracial families and mixed race people—groups once loosely organized and only partially aware of each other—proliferated. What was once ignored, treated as taboo, or just thought not to exist quickly became part of the cultural mainstream.How did this category of people come together? Why did the movement develop when it did? What is it about “being mixed” that constitutes a compelling basis for activism? Drawing on extensive interviews and fieldwork, the author answers these questions to show how multiracials have been “made” through state policy, family organizations, and market forces.

Mr. Chesney operates Pilgrim Parties, a tour group that takes paying participants into an outer realm where the inhabitants play frightening and... foreboding roles. The time has come to end the staged madness . . . but can it really be stopped? Master storyteller Diana Wynne Jones serves up twists and turns, introduces Querida, Derk, Blade, and Shona and a remarkable cast of wizards, soldiers, kings, dragons, and griffins, and mixes in a lively dash of humor. With all the ingredients of high fantasy, this unforgettable novel will delight fans old and new.