J. Phillip Thompson III, an insider in the Dinkins administration, provides the first in-depth look at how the black mayors of America's major cities... achieve social change. Black constituents naturally look to black mayors to effect great change for the poor, but the reality of the situation is complicated. Thompson argues that African-American mayors, legislators, and political activists need to more effectively challenge opinions and public policies supported by the white public and encourage greater political inclusion and open political discourse within black communities. Only by unveiling painful internal oppresssions and exclusions within black politics will the black community's power increase, and compel similar unveilings in the broader interracial conversation about the problems of the urban poor. Tracing the historical development and contemporary practice of black mayoral politics, this is a fascinating study of the motivations of black politicians, competing ideologies in the black community and the inner dynamics of urban social change.

From a Navajo code talker to a Tuskegee pilot, Takaki examines the many contributions and sacrifices of America's minorities--blacks, Chinese, Native... Americans and others--during World War II. Photos.

In the aftermath of covering 9/11, English war reporter Stephen Sharkey and photographer Ben Frobisher leave New York and part company. Stephen returns... to the devastating discovery of the end of his marriage; while on assignment in Afghanistan Ben is killed. Retreating to the English countryside to write a book questioning the role of the war reporter and photographer Stephen enters into complicated relationships with Ben’s widow Kate, a sculptor, her disturbing and sinister young studio assistant, and a young au-pair. Set far from the literal theatre of war, Double Vision is nonetheless a novel about its representation and effects as Pat Barker once more lays bare the complexities of desire and violence.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary... critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

R.J. Decker, star tenant of the local trailer park and neophyte private eye is fishing for a killer. Thanks to a sportsman's scam that's anything but... sportsmanlike, there's a body floating in Coon Bog, Florida -- and a lot that's rotten in the murky waters of big-stakes, large-mouth bass tournaments. Here Decker will team up with a half-blind, half-mad hermit with an appetite for road kill; dare to kiss his ex-wife while she's in bed with her new husband; and face deadly TV evangelists, dangerously seductive women, and a pistol-toting redneck with a pit bull on his arm. And here his own life becomes part of the stakes. For while the "double whammy" is the lure, first prize is for the most ingenious murder.

Set on the campus of a Nigerian university, Double Yoke tells the story of two undergraduates who must confront the conflicting demands of tradition and... modernity. While Nko pursues an education despite the resistance of those who feel a woman's identity is assumed in traditional marriage, Ete Kamba's love for her is severely tested as he is himself locked into the rigid attitudes from which Nko is attempting to break free. Nko must further contend with unscrupulous professors who would take advantage of her tenuous role as a woman in a male-dominated environment. As the author candidly portrays the status of women in emerging African nations, the choices facing Ete Kamba and Nko are neither clearcut nor perfect. In Double Yoke, Buchi Emecheta faces them head on.

“A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an... old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This new play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer... Prize–winning play. “The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”—Terry Teachout, The Wall Street Journal

Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer... Prizewinning play. The best new play of the season. That rarity of rarities, an issue-driven play that is un preachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesnt try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior. Terry Teach out, The Wall Street Journal.

Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned "in jest" before UC... Berkeley's annual Big Game against Stanford: "What's a debacle, Mom?" This innocent but telling question marks the girl's entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk'auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother's tough love and a growing consciousness of an ancestral and familial past. In the first half of the book, "Tribal History," Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when "muleback was the customary mode / of transport" and the "spirit world was present"--stories of "old ways" and places claimed in memory but lost in time. Elsewhere, she remembers her mother's "ferocious, upright anger" and her unexpected tenderness ("Like a miracle, I was still her child"), culminating in the profound expression of loss that is the poem "Our Mother's Death." In the second half of the book, "It Was Raining," Gould tells of the years of lonely self-making and "unfulfilled dreams" as she comes to terms with what she has been told are her "crazy longings" as a lesbian: "It's been hammered into me / that I'll be spurned / by a 'real woman,' / the only kind I like." The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West.

Noted biologist and philosopher Sahotra Sarkar exposes the frauds and fallacies of Intelligent Design Theory, and its claim to be ‘good science’.A... scientific and philosophical exploration of the debate between evolutionary theory and Intelligent Design in the classroom Puts the debate into its scientific and historical context Looks at a variety of topics, including the relation between Darwinism and modern evolutionary theory, the use of computer science and information theory by the creationists, and the idea of metaphysical naturalism Rejects Intelligent Design’s claim to legitimacy, showing clearly how and why it is an unsuitable alternative to evolutionary biology in the classroom A thought-provoking book for those seeking to understand an intellectual debate that is shaping our education policies Forms part of the provocative and timely Blackwell Public Philosophy series

"Doubt is our product," a cigarette executive once observed, "since it is the best means of competing with the 'body of fact' that exists in the minds... of the general public. It is also the means of establishing a controversy." In this eye-opening expose, David Michaels reveals how the tobacco industry's duplicitous tactics spawned a multimillion dollar industry that is dismantling public health safeguards. Product defense consultants, he argues, have increasingly skewed the scientific literature, manufactured and magnified scientific uncertainty, and influenced policy decisions to the advantage of polluters and the manufacturers of dangerous products. To keep the public confused about the hazards posed by global warming, second-hand smoke, asbestos, lead, plastics, and many other toxic materials, industry executives have hired unscrupulous scientists and lobbyists to dispute scientific evidence about health risks. In doing so, they have not only delayed action on specific hazards, but they have constructed barriers to make it harder for lawmakers, government agencies, and courts to respond to future threats. The Orwellian strategy of dismissing research conducted by the scientific community as "junk science" and elevating science conducted by product defense specialists to "sound science" status also creates confusion about the very nature of scientific inquiry and undermines the public's confidence in science's ability to address public health and environmental concerns Such reckless practices have long existed, but Michaels argues that the Bush administration deepened the dysfunction by virtually handing over regulatory agencies to the very corporate powers whose products and behavior they are charged with overseeing. In Doubt Is Their Product Michaels proves, beyond a doubt, that our regulatory system has been broken. He offers concrete, workable suggestions for how it can be restored by taking the politics out of science and ensuring that concern for public safety, rather than private profits, guides our regulatory policy. Named one of the best Sci-Tech books of 2008 by Library Journal!

Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer... Prize–winning play.“The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”—Terry Teachout, The Wall Street Journal“A breathtaking work of immense proportion. Positively brilliant.”—Melissa Rose Bernardo, Entertainment Weekly“#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.”—Linda Winer, NewsdayJohn Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

How does a democratic government conscript citizens, turn them into soldiers who can fight effectively against a highly trained enemy, and then somehow... reward these troops for their service? In Doughboys, the Great War, and the Remaking of America, Jennifer D. Keene argues that the doughboy experience in 1917–18 forged the U.S. Army of the twentieth century and ultimately led to the most sweeping piece of social-welfare legislation in the nation's history—the G.I. Bill.Keene shows how citizen-soldiers established standards of discipline that the army in a sense had to adopt. Even after these troops had returned to civilian life, lessons learned by the army during its first experience with a mass conscripted force continued to influence the military as an institution. The experience of going into uniform and fighting abroad politicized citizen-soldiers, Keene finally argues, in ways she asks us to ponder. She finds that the country and the conscripts—in their view—entered into a certain social compact, one that assured veterans that the federal government owed conscripted soldiers of the twentieth century debts far in excess of the pensions the Grand Army of the Republic had claimed in the late nineteenth century.