Down and Out in the Great Depression is a moving, revealing collection of letters by the forgotten men, women, and children who suffered through one of... the greatest periods of hardship in American history. Sifting through some 15,000 letters from government and private sources, Robert McElvaine has culled nearly 200 communications that best show the problems, thoughts, and emotions of ordinary people during this time.Unlike views of Depression life "from the bottom up" that rely on recollections recorded several decades later, this book captures the daily anguish of people during the thirties. It puts the reader in direct contact with Depression victims, evoking a feeling of what it was like to live through this disaster.Following Franklin D. Roosevelt's inauguration, both the number of letters received by the White House and the percentage of them coming from the poor were unprecedented. The average number of daily communications jumped to between 5,000 and 8,000, a trend that continued throughout the Rosevelt administration. The White House staff for answering such letters&#151most of which were directed to FDR, Eleanor Roosevelt, or Harry Hopkins&#151quickly grew from one person to fifty.Mainly because of his radio talks, many felt they knew the president personally and could confide in him. They viewed the Roosevelts as parent figures, offering solace, help, and protection. Roosevelt himself valued the letters, perceiving them as a way to gauge public sentiment. The writers came from a number of different groups&#151middle-class people, blacks, rural residents, the elderly, and children. Their letters display emotional reactions to the Depression&#151despair, cynicism, and anger&#151and attitudes toward relief.In his extensive introduction, McElvaine sets the stage for the letters, discussing their significance and some of the themes that emerge from them. By preserving their original spelling, syntax, grammar, and capitalization, he conveys their full flavor.The Depression was far more than an economic collapse. It was the major personal event in the lives of tens of millions of Americans. McElvaine shows that, contrary to popular belief, many sufferers were not passive victims of history. Rather, he says, they were "also actors and, to an extent, playwrights, producers, and directors as well," taking an active role in trying to deal with their plight and solve their problems.

On The Skids In The Transhuman FutureJules is a young man barely a century old. He's lived long enough to see the cure for death and the end of... scarcity, to learn ten languages and compose three symphonies...and to realize his boyhood dream of taking up residence in Disney World.Disney World! The greatest artistic achievement of the long-ago twentieth century. Now in the keeping of a network of "ad-hocs" who keep the classic attractions running as they always have, enhanced with only the smallest high-tech touches.Now, though, the "ad hocs" are under attack. A new group has taken over the Hall of the Presidents, and is replacing its venerable audioanimatronics with new, immersive direct-to-brain interfaces that give guests the illusion of being Washington, Lincoln, and all the others. For Jules, this is an attack on the artistic purity of Disney World itself. Worse: it appears this new group has had Jules killed. This upsets him. (It's only his fourth death and revival, after all.) Now it's war....

Covering the entire period from the colonial era to the late twentieth century, this book is the first scholarly history of the homeless in America.... Drawing on sources that include records of charitable organizations, sociological studies, and numerous memoirs of formerly homeless persons, Kusmer demonstrates that the homeless have been a significant presence on the American scene for over two hundred years. He probes the history of homelessness from a variety of angles, showing why people become homeless; how charities and public authorities dealt with this social problem; and the diverse ways in which different class, ethnic, and racial groups perceived and responded to homelessness. Kusmer demonstrates that, despite the common perception of the homeless as a deviant group, they have always had much in common with the average American.Focusing on the millions who suffered downward mobility, Down and Out, On the Road provides a unique view of the evolution of American society and raises disturbing questions about the repeated failure to face and solve the problem of homelessness.

Fourteen-year-old Mary MacNamara does not know the words for what her father did to her down by the river, but she knows nothing will ever be the same... again. She lives in a small town in the rural West of Ireland where superstition and petty jealousies fester; where poverty and ignorance make people hard, bitter, and unforgiving. Mary will find scant justice or mercy among those in her community--even less among those called to adjudicate upon her case in a city far away as her private tragedy is dragged into the public arena, making her doubly a victim, prey to militant factions on all sides. Recalling the controversial 1992 "Miss X" case which drew international attention and provoked a nationwide crisis of conscience within Ireland, Down by the River combines passionately held principle and rich, evocative language and imagery to transform a dark drama of violence and suppressed emotions into a work of art that is universal, cathartic, and sublime. • Down by the River was a national bestseller--#1 on Newsday list. • Reviews of Down by the River are some of the best of O'Brien's distinguished career. • O'Brien's previous novel, The House of Splendid Isolation, is now in its 7th printing in Plume. • Renaissance of interest in Irish literature and culture has potential to draw a whole new audience to this important and quintessentially Irish writer.

In Down by the Riverside, Charles Joyner takes readers on a journey back in time, up the Waccamaw River through the Lowcountry of South Carolina, past... abandoned rice fields once made productive by the labor of enslaved Africans, past rice mills and forest clearings into the antebellum world of All Saints Parish. In this slave community, and many others like it, the slaves created a new language, a new religion--indeed, a new culture--from African traditions and American circumstances.   From the letters, diaries, and memoirs of the plantation whites and their guests, from quantitative analysis of census and probate records, and above all from slave folklore and oral history, Joyner has recovered an entire society and its way of life. His careful reconstruction of daily life in All Saints Parish is an inspiring testimony to the ingenuity and solidarity of a people who endured in the face of adversity.   This anniversary edition of Joyner's landmark study includes a new introduction in which the author recounts his process of writing the book, reflects on its critical and popular reception, and surveys the path of scholarship in slave history in the decades since the book's first publication.

Down by the Riverside provides an expansive introduction to the development of African American religion and theology. Spanning the time of slavery up... to the present, the volume moves beyond Protestant Christianity to address a broad diversity of African American religion from Conjure, Orisa, and Black Judaism to Islam, African American Catholicism, and humanism. This accessible historical overview begins with African religious heritages and traces the transition to various forms of Christianity, as well as the maintenance of African and Islamic traditions in antebellum America. Preeminent contributors include Charles Long, Gayraud Wilmore, Albert Raboteau, Manning Marable, M. Shawn Copeland, Vincent Harding, Mary Sawyer, Toinette Eugene, Anthony Pinn, and C. Eric Lincoln and Lawrence Mamiya. They consider the varieties of religious expression emerging from migration from the rural South to urban areas, African American women's participation in Christian missions, Black religious nationalism, and the development of Black Theology from its nineteenth-century precursors to its formulation by James Cone and later articulations by black feminist and womanist theologians. They also draw on case studies to provide a profile of the Black Christian church today. This thematic history of the unfolding of religious life in African America provides a window onto a rich array of African American people, practices, and theological positions.

In her bestselling memoir, now in paperback, Brooke Shields shares with the world her deeply personal experience with postpartum depressionWhen Brooke... Shields welcomed her newborn daughter to the world, her joyful expectations were quickly followed by something unexpected -- a crippling depression. In what is sure to strike a chord with the millions of women who suffer from depression after childbirth, Brooke Shields shares how she, too, battled a condition that is widely misunderstood, despite the fact that it affects many new mothers. She discusses the illness in the context of her life, including her struggle to get pregnant, the high expectations she had for herself and that others placed on her as a new mom, and the role of her husband, friends, and family as she struggled to attain her maternal footing in the midst of a disabling depression.Ultimately, Brooke shares how she found a way out through talk therapy, medication, and time.

Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance... in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.

I paused at the stoop and thought this could be the basis of a good book. The story of a young man who went deep into the bowels of the academy in order... to understand architecture and found it had been on his doorstep all along. This had an air of hokeyness about it, but it had been a tough couple of days and I was feeling sentimental about the warm confines of the studio which had unceremoniously discharged me upon the world.--from Down Detour RoadWhat does it say about the value of architecture that as the world faces economic and ecological crises, unprecedented numbers of architects are out of work? This is the question that confronted architect Eric Cesal as he finished graduate school at the onset of the worst financial meltdown in a generation. Down Detour Road is his journey: one that begins off-course, and ends in a hopeful new vision of architecture. Like many architects of his generation, Cesal confronts a cold reality. Architects may assure each other of their own importance, but society has come to view architecture as a luxury it can do without. For Cesal, this recognition becomes an occasion to rethink architecture and its value from the very core. He argues that the times demand a new architecture, an empowered architecture that is useful and relevant. New architectural values emerge as our cultural values shift: from high risks to safe bets, from strong portfolios to strong communities, and from clean lines to clean energy.This is not a book about how to run a firm or a profession; it doesn't predict the future of architectural form or aesthetics. It is a personal story--and in many ways a generational one: a story that follows its author on a winding detour across the country, around the profession, and into a new architectural reality.

In a riveting narrative that includes information from newly declassified documents, acclaimed historian Richard B. Frank gives a scrupulously detailed... explanation of the critical months leading up to the dropping of the atomic bomb. Frank explains how American leaders learned in the summer of 1945 that their alternate strategy to end the war by invasion had been shattered by the massive Japanese buildup on Kyushu, and that intercepted diplomatic documents also revealed the dismal prospects of negotiation. Here also, for the first time, is a comprehensive account of how Japan's leaders were willing to risk complete annihilation to preserve the nation's existing order. Frank's comprehensive account demolishes long-standing myths with the stark realities of this great historical controversy.

Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks... has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism.This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.

As the first and only comprehensive guide for engineers on downhole drilling tools, this is a must-have for the drilling community. "Downhole Drilling... Tools" describes all the critical tools for the engineer and covers the practical aspects of downhole equipment. A handbook for both the engineering professional and student alike, this textbook includes worked examples and additional references at the end of each chapter. In its entirety, "Downhole Drilling Tools" enables the reader to: recognise drilling benefits and limitations associated with each tool; find solutions to common drilling problems while reducing costs; and perform successful well completions. It is intended for petroleum engineers, drilling engineers, and other oil and gas industry personnel.

A collection of diverse voices and experiences, all springing from a shared legacy: memories of the american South, of being “downhome.” Mee... introduces each group of stories and then lets the authors reveal aspects of the South from their own female point of view. Introduction by the Author.