First published in 1985, Emissions Trading was a comprehensive review of the first large-scale attempt to use economic incentives in environmental... policy in the U.S. and of the empirical and theoretical research on which this approach is based. Since its publication it has consistently been one of the most widely cited works in the tradable permits literature. The second edition of this classic study of pollution reform considers how the use of transferable permits to control pollution has evolved, looks at how these programs have been implemented in the U.S. and internationally, and offers an objective evaluation of the resulting successes, failures, and lessons learned over the last twenty-five years.

From Longman's Cultural Editions series, Emma, edited by Frances Ferguson, presents Jane Austen's novel with illuminations from various contexts,... ranging from first reviews, to the entertainments of riddles and charades, the vogue of gothic fiction, the plight of governesses that had their situations compared to slavery, and the economy of English estates. Handsomely produced and affordably priced, the Longman Cultural Editions series presents classic works in provocative and illuminating contexts-cultural, critical, and literary. Each Cultural Edition consists of the complete text of an important literary work, reliably edited, headed by an inviting introduction, and supplemented by helpful annotations; a table of dates to track its composition, publication, and public reception in relation to biographical, cultural and historical events; and a guide for further inquiry and study. The following Longman Cultural Editions are available now: Beowulf, Hamlet (2nd edition), Othello, Pride and Prejudice, Frankenstein, Hard Times, Northanger Abbey, King Lear, andThe Merchant of Venice. Titles available for fall include: Wollstonecraft, Emma, andHenry IV, Parts 1 & 2.One Cultural Edition can be packaged FREE with any single or combination of volumes of The Longman Anthology of British Literature by Damrosch et al, or at a discount with any other Longman textbook.

Emma, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the... general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Emma Woodhouse is a wealthy, exquisite, and thoroughly self-deluded young woman who has "lived in the world with very little to distress or vex her."Jane Austen exercises her taste for cutting social observation and her talent for investing seemingly trivial events with profound moral significance as Emma traverses a gentle satire of provincial balls and drawing rooms, along the way encountering the sweet Harriet Smith, the chatty and tedious Miss Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's finest personages. Thinking herself impervious to romance of any kind, Emma tries to arrange a wealthy marriage for poor Harriet, but refuses to recognize her own feelings for the gallant Mr. Knightley. What ensues is a delightful series of scheming escapades in which every social machination and bit of "tittle-tattle" is steeped in Austen's delicious irony. Ultimately, Emma discovers that "Perfect happiness, even in memory, is not common."Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.Steven Marcus is Professor of English and Comparative Literature and George Delacorte Professor in the Humanities at Columbia University, and a specialist in nineteenth-century literature and culture. A fellow of both the American Academy of Arts and Sciences and the Academy of Literary Studies, he has received Fulbright, American Council of Learned Societies, Guggenheim, Center for Advanced Study in the Behavioral Sciences, Rockefeller, and Mellon grants. He is the author of more than 200 publications.

Jane Austen's Emma (1816) tells the story of the coming of age of Emma Woodhouse, "handsome, clever, and rich," who "had lived nearly twenty-one years... in the world with very little to distress or vex her." Typical for the novel's time, Emma's transition to womanhood is accomplished through courtship - both of those around her and, ultimately, her own. As in other Austen works, education and courtship go hand in hand, and Emma's process of learning to relinquish the power of having her own way is also a process of falling in love. However, in Emma this classic plot is both complicated by and reflective of a collection of contemporary issues, assumptions, and anxieties that highlight just how "political" even the most conventional of courtship plots can be. This Broadview edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society, and the contemporary preoccupation with health and the treatment of illness.

Lively young socialite Emma Woodhouse likes nothing more than interfering in the romantic lives of others and when she appoints herself matchmaker to... her gentle friend Harriet, she has no idea just how much chaos she will create, and soon her carefully laid plans unravel with consequences that she never expected. Might this social disorder bring about a match for Emma herself?

Set both in England and in America, Emma Corbett is the moving story of a family torn apart by the American revolutionary war. Edward Corbett and Henry... Hammond are brought up together and go on to marry each others' sisters, but fight on opposite sides in the war. Emma Corbett, Edward's sister, follows Henry to Pennsylvania. Disguised as a man, she fights for the British before finding Henry and saving his life, but the war and its aftermath have tragic consequences for all four young people. This powerful epistolary novel was a transatlantic best-seller, in part because both sides of the conflict are fully represented as are the miseries and terrible costs of war. Appendices include contemporary reviews as well as contemporary writings on heroism, sensibility, and women and war. A series of personal letters between Pratt (writing as Courtney Melmoth) and Benjamin Franklin, for whom he worked in France, are also included.

Sparkling comedy of provincial manners concerns a well-intentioned young heiress and her matchmaking schemes that result in comic confusion for the... inhabitants of a 19th-century English village. Droll characterizations of the well-intentioned heroine, her hypochondriacal father, plus many other finely drawn personalities make this sparkling satire of provincial life one of Jane Austen's finest novels.

Jane Austen’s beloved comedic novel is now available in a revised and updated Norton Critical Edition.The text of the Fourth Edition of the Norton... Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages.“Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses—“Kitty, A Fair But Frozen Maid” and “Robin Adair”—referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson.“Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan.A Chronology and Selected Bibliography are also included.

One of the most colorful, controversial and radical figures in American history, Emma Goldman challenged the legitimacy of religion, government, and... private property in the United States.    Imprisoned, tried, and later deported for her beliefs, the Goldman story is a window through which students will see a better picture of the history of American radicalism, the history of civil liberties in America, and the history of American foreign policy.   The titles in the Library of American Biography Series make ideal supplements for American History Survey courses or other courses in American history where figures in history are explored.  Paperback, brief, and inexpensive, each interpretive biography in this series focuses on a figure whose actions and ideas significantly influenced the course of American history and national life. In addition, each biography relates the life of its subject to the broader themes and developments of the times.

Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her... politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one’s senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power—these were key demands in the many public protest movements she helped mount.Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity—and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual.In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

Emma Lazarus’s most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so... far ahead of her time that we are still scrambling to catch up with her–a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed.Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entrée into New York’s elite literary circles. Although she once referred to her family as “outlaw” Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe–refugees whose lives had little in common with her own–helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus’s place in history as a poet, an activist, and a prophet of the world we all inhabit today–a world that she helped to invent.

Introduction by A. Walton Litz   “Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of... the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.” So begins Jane Austen’s comic masterpiece Emma. In Emma, Austen’s prose brilliantly elevates, in the words of Virginia Woolf, “the trivialities of day-to-day existence, of parties, picnics, and country dances” of early-nineteenth-century life in the English countryside to an unrivaled level of pleasure for the reader. At the center of this world is the inimitable Emma Woodhouse, a self-proclaimed matchmaker who, by the novel’s conclusion, may just find herself the victim of her own best intentions.   INCLUDES A MODERN LIBRARY READING GROUP GUIDE