There have been many studies of the women in the Gospels, but this is a new kind of book on the subject. Rather than offering a general overview of... the Gospel women or focusing on a single theme, Richard Bauckham studies in great depth both the individual women who appear in the Gospels and the specific passages in which they appear. This unique approach reveals that there is much more to be known about such women than previous studies have assumed. Employing historical and literary readings of the biblical texts, Bauckham successfully captures the particularity of each woman he studies. An opening look at the Old Testament book of Ruth introduces the possibilities of reading Scripture from a woman's perspective. Other studies examine the women found in Matthew's genealogies, the prophet Anna, Mary of Clopas, Joanna, Salome, and the women featured in the Gospel resurrection narrative. A number of these women have never been the subject of deep theological enquiry. Unlike most recent books, Bauckham's work is not dominated by a feminist agenda. It does not presume in advance that the Gospel texts support patriarchal oppression, but it does venture some of the new and surprising possibilities that arise when the texts are read from the perspective of their female characters. Astute, sensitive to issues of gender, and written by one of today's leading theologians, Gospel Women will be of interest to a wide range of readers.

Littlest One is a tiny creature slowly learning her job of giving dreams to humans. Each night she and her teacher, Thin Elderly, visit an old woman’s... home where she softly touches beloved objects, gathering happy memories, and drops of old scents and sounds. Littlest One pieces these bits together and presents them to her sleeping human in the form of pleasant dreams. But the dreaded Sinisteeds, dark fearsome creatures that plague their victims with nightmares, are always at work against the dreamgivers. When the old woman takes in John, an angry foster child with a troubled past, the Sinisteeds go after him with their horrifying nightmares. Can Littlest One, and her touch light as gossamer, protect John’s heart and soul from the nightmare of his dark past?

Winner of the BAAL (British Association for Applied Linguistics) Book Prize, 2010 Although gossip is disapproved of across the world's societies, it is... a prominent feature of sociality, whose role in the construction of society and culture cannot be overestimated. In particular, gossip is central to the enactment of politics: through it people transform difference into inequality and enact or challenge power structures. Based on the author's intimate ethnographic knowledge of Nukulaelae Atoll, Tuvalu, this work uses an analysis of gossip as political action to develop a holistic understanding of a number of disparate themes, including conflict, power, agency, morality, emotion, locality, belief, and gender. It brings together two methodological traditions - the microscopic analysis of unelicited interaction and the macroscopic interpretation of social practice - that are rarely wedded successfully. Drawing on a broad range of theoretical resources, Niko Besnier approaches gossip from several angles. A detailed analysis of how Nukulaelae's people structure their gossip interactions demonstrates that this structure reflects and contributes to the atoll's political ideology, which wavers between a staunch egalitarianism and a need for hierarchy. His discussion then turns to narratives of specific events in which gossip played an important role in either enacting egalitarianism or reinforcing inequality. Embedding gossip in a broad range of communicative practices enables Besnier to develop a nuanced analysis of how gossip operates, demonstrating how it allows some to gain power while others suffer because of it. Throughout, he is particularly attentive to the ways in which anthropologists themselves are the subject and object of gossip, making his work a notable contribution to reflexive social science.

Welcome to New York City's Upper East Side, where my friends and I live, go to school, play, and sleep--sometimes with each other. S is back from... boarding school, and if we aren't careful, she's going to win over our teachers, wear that dress we couldn't fit into, steal our boyfriends' hearts, and basically ruin our lives in a major way. I'll be watching closely...You know you love me, gossip girl

When Catherine Morrow is admitted to the Esther Percy School for Girls, it's on the condition that she reform her ways. But that's before the beautiful... and charismatic Skye Butterfield, daughter of the famous Senator Butterfield, chooses Catherine for her best friend. Skye is in love with danger and the thrill of breaking rules, taking risks, and crossing boundaries, no matter the stakes. The problem is, the stakes keep getting higher, and Catherine can neither resist Skye nor stop her from taking down everyone around her. De Gramont's chilling novel is a portrait of the seductions of adolescence in all their beauty and terror. Caught in this alluring world, the girls of Esther Percy are optimistic and willful, loving and selfish, daring and cruel—all the while believing they're utterly indestructible.

Designed to help HR and line managers deal with challenging employees in the workplace, this book enlists a novel approach by tying together several... real-life--and often entertaining--examples of employee behavior within a broad range of circumstances. Following the stories in each chapter, an analysis of how the HR professionals handled the situations highlights the benefits and detriments of their choices, showcasing both successes and failures--and what can be learned from them. Providing valuable examples and thought-process guidance, this record is ideal for understanding the ethical and legally defensible practices of human resource management.

"Mountain," Baldwin said, "is the book I had to write if I was ever going to write anything else." Go Tell It On The Mountain, first published in 1953,... is Baldwin's first major work, a novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

James Baldwin's stunning first novel is now an American classic. With startling realism that brings Harlem and the black experience vividly to life,... this is a work that touches the heart with emotion while it stimulates the mind with its narrative style, symbolism, and excoriating vision of racism in America. Moving through time from the rural South to the northern ghetto, starkly contrasting the attitudes of two generations of an embattled family, Go Tell It On The Mountain is an unsurpassed portrayal of human beings caught up in a dramatic struggle and of a society confronting inevitable change.

"Mountain," Baldwin said, "is the book I had to write if I was ever going to write anything else." Go Tell It On The Mountain, first published in 1953,... is Baldwin's first major work, a novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

To European explorers, it was Eden, a paradise of waist-high grasses, towering stands of walnut, maple, chestnut, and oak, and forests that teemed with... bears, wolves, raccoons, beavers, otters, and foxes. Today, it is the site of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe. In Gotham, Edwin G. Burrows and Mike Wallace have produced a monumental work of history, one that ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. It is an epic narrative, a story as vast and as varied as the city it chronicles, and it underscores that the history of New York is the story of our nation. Readers will relive the tumultuous early years of New Amsterdam under the Dutch West India Company, Peter Stuyvesant's despotic regime, Indian wars, slave resistance and revolt, the Revolutionary War and the defeat of Washington's army on Brooklyn Heights, the destructive seven years of British occupation, New York as the nation's first capital, the duel between Aaron Burr and Alexander Hamilton, the Erie Canal and the coming of the railroads, the growth of the city as a port and financial center, the infamous draft riots of the Civil War, the great flood of immigrants, the rise of mass entertainment such as vaudeville and Coney Island, the building of the Brooklyn Bridge and the birth of the skyscraper. Here too is a cast of thousands--the rebel Jacob Leisler and the reformer Joanna Bethune; Clement Moore, who saved Greenwich Village from the city's street-grid plan; Herman Melville, who painted disillusioned portraits of city life; and Walt Whitman, who happily celebrated that same life. We meet the rebel Jacob Leisler and the reformer Joanna Bethune; Boss Tweed and his nemesis, cartoonist Thomas Nast; Emma Goldman and Nellie Bly; Jacob Riis and Horace Greeley; police commissioner Theodore Roosevelt; Colonel Waring and his "white angels" (who revolutionized the sanitation department); millionaires John Jacob Astor, Cornelius Vanderbilt, August Belmont, and William Randolph Hearst; and hundreds more who left their mark on this great city. The events and people who crowd these pages guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America, and a book that will mesmerize everyone interested in the peaks and valleys of American life as found in the greatest city on earth. Gotham is a dazzling read, a fast-paced, brilliant narrative that carries the reader along as it threads hundreds of stories into one great blockbuster of a book.

Gotham at War is an accessible, entertaining account of America's biggest and most powerful urban center during the Civil War. New York City mobilized... an enthusiastic but poorly trained military force during the first month of the war that helped protect Washington, D.C., from Confederate capture. Its strong financial support for the national government may well have saved the Union. New York served as a center for manpower, military supplies, and shipbuilding. And medically, New York became a center for efforts to provide for sick and wounded soldiers. Yet, despite being a major Northern city, New York also had strong sympathy for the South. Parts of the city were strongly racist, hostile to the abolition of slavery and to any real freedom for black Americans. The hostility of many New Yorkers to the military draft culminated in one of the greatest of all urban upheavals, the draft riots of July 1863. Edward K. Spann brings his experience as an urban historian to provide insights on both the varied ways in which the war affected the city and the ways in which the city's people and industry influenced the divided nation. This is the first book to assess the city's contributions to the Civil War. Gotham at War examines the different sides of the city as some fought to sustain the Union while others opposed the war effort and sided with the South. This unique book will entertain all readers interested in the Civil War and New York City. About the Author Edward K. Spann is professor emeritus of history at Indiana State University. He is a specialist in nineteenth-century history and urban history. Spann has authored a number of books, including The New Metropolis: New York City 1840-1857 and Ideals and Politics: New York Intellectuals and Liberal Democracy, which was nominated for a Pulitzer Prize.

The first ten issues of the Eisner and Harvey Award-winning series are collected here in trade paperback.  Written by Ed Brubaker (Captain America) and... Greg Rucka (52, DETECTIVE COMICS), this series pitted the detectives of Gotham City’s Special Crimes Unit against the city's greatest villains — in the shadow of Batman himself.

A collection of accessible and excellent short fiction hand-picked by the country's most popular writing school. Each of the stories in Fiction Gallery... will hold you spellbound from first to last page, while also exemplifying the very best in literary fiction. Grouped in sections that follow the cycle of life, these stories explore the varied aspects of human existence and, cumulatively, form the satisfying dramatic arc of a novel. The authors range from the acknowledged masters of short fiction- Anton Chekhov, Dorothy Parker, John Cheever, Raymond Carver, T.C. Boyle, Jhumpa Lahiri- to the very best of today's emerging writers. As a bonus, the anthology includes interviews with T.C. Boyle and Jhumpa Lahiri, in which they illuminate the process of creating a short story. Aspiring writers who enjoyed Gotham Writers' Workshop previous book, Writing Fiction, will also find this anthology an invaluable source of inspiration and instruction. Gotham Writers' Workshop is America's leading private creative writing school, offering classes in New York City and on the web at WritingClasses.com. The school's interactive online classes, selected "Best of the Web" by Forbes, have attracted thousands of aspiring writers from across the United States and more than sixty countries.

Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others. Donna... Heiland's Gothic and Gender offers a historically informed theoretical introduction to key gothic narratives from a feminist perspective.The book concentrates primarily on fiction from the 1760s through the 1840s, exploring the work of Horace Walpole, Clara Reeve, Sophia Lee, Matthew Lewis, Charlotte Dacre, Charles Maturin, Ann Radcliffe, William Godwin, Mary Wollstonecraft, Mary Shelley, John Polidori, James Malcolm Rymer, Emily Bronte, Charlotte Bronte, Charlotte Smith, and Charles Brockden Brown. The final chapter looks at contemporary fiction and its relation to the gothic, including an exploration of Margaret Atwood's The Blind Assassin and Ann-Marie Macdonald's Fall on Your KneesA Coda provides an overview of scholarship on the gothic, showing how gothic gradually became a major focus for literary critics, and paying particular attention to the feminist reinvigoration of gothic studies that began in the 1970s and continues today.Taken as a whole the book offers a stimulating survey of the representation of gender in the gothic, suitable for both students and readers of gothic literature.

Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of... American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these features were viewed as suspicious, foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America.Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism.Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries.