In February 1968 the Beatles went to India for an extended stay with their new guru, Maharishi Mahesh Yogi. It may have been the most momentous... spiritual retreat since Jesus spent those forty days in the wilderness.  With these words, Philip Goldberg begins his monumental work, American Veda, a fascinating look at India’s remarkable impact on Western culture. This eye-opening popular history shows how the ancient philosophy of Vedanta and the mind-body methods of Yoga have profoundly affected the worldview of millions of Americans and radically altered the religious landscape.   What exploded in the 1960s actually began more than two hundred years earlier, when the United States started importing knowledge as well as tangy spices and colorful fabrics from Asia. The first translations of Hindu texts found their way into the libraries of John Adams and Ralph Waldo Emerson. From there the ideas spread to Henry David Thoreau, Walt Whitman, and succeeding generations of receptive Americans, who absorbed India’s “science of consciousness” and wove it into the fabric of their lives. Charismatic teachers like Swami Vivekananda and Paramahansa Yogananda came west in waves, prompting leading intellectuals, artists, and scientists such as Aldous Huxley, Joseph Campbell, Allen Ginsberg, J. D. Salinger, John Coltrane, Dean Ornish, and Richard Alpert, aka Ram Dass, to adapt and disseminate what they learned from them. The impact has been enormous, enlarging our current understanding of the mind and body and dramatically changing how we view ourselves and our place in the cosmos.  Goldberg paints a compelling picture of this remarkable East-to-West transmission, showing how it accelerated through the decades and eventually moved from the counterculture into our laboratories, libraries, and living rooms.  Now physicians and therapists routinely recommend meditation, words like karma and mantra are part of our everyday vocabulary, and Yoga studios are as ubiquitous as Starbuckses. The insights of India’s sages permeate so much of what we think, believe, and do that they have redefined the meaning of life for millions of Americans—and continue to do so every day.   Rich in detail and expansive in scope, American Veda shows how we have come to accept and live by the central teaching of Vedic wisdom: “Truth is one, the wise call it by many names.”

What does it mean to be an American, and what can America be today? To answer these questions, celebrated philosopher and journalist Bernard-Henri Lévy... spent a year traveling throughout the country in the footsteps of another great Frenchman, Alexis de Tocqueville, whose Democracy in America remains the most influential book ever written about our country. The result is American Vertigo, a fascinating, wholly fresh look at a country we sometimes only think we know. From Rikers Island to Chicago mega-churches, from Muslim communities in Detroit to an Amish enclave in Iowa, Lévy investigates issues at the heart of our democracy: the special nature of American patriotism, the coexistence of freedom and religion (including the religion of baseball), the prison system, the “return of ideology” and the health of our political institutions, and much more. He revisits and updates Tocqueville’s most important beliefs, such as the dangers posed by “the tyranny of the majority,” explores what Europe and America have to learn from each other, and interprets what he sees with a novelist’s eye and a philosopher’s depth. Through powerful interview-based portraits across the spectrum of the American people, from prison guards to clergymen, from Norman Mailer to Barack Obama, from Sharon Stone to Richard Holbrooke, Lévy fills his book with a tapestry of American voices–some wise, some shocking. Both the grandeur and the hellish dimensions of American life are unflinchingly explored. And big themes emerge throughout, from the crucial choices America faces today to the underlying reality that, unlike the “Old World,” America remains the fulfillment of the world’s desire to worship, earn, and live as one wishes–a place, despite all, where inclusion remains not just an ideal but an actual practice.At a time when Americans are anxious about how the world perceives them and, indeed, keen to make sense of themselves, a brilliant and sympathetic foreign observer has arrived to help us begin a new conversation about the meaning of America.From the Hardcover edition.

American Visions offers a rich sampling of literature for writing classes with a multicultural perspective, exploring the historical context and... contemporary relevance of major themes that have shaped our consciousness as a nation.

The workbook contains user-friendly grammar explanations in clear English that are accessible to students who are not familiar with grammar rules and... terminology. The structure of the program (grammar in the workbook and activities in the student text) allows students to work independently on learning to use grammar in context while providing more flexibility for professors to concentrate on other points of emphasis, such as vocabulary development, extended discourse, and cultural comparisons. Filled with creative activities that inject levity and well as simplicity, students are encouraged to produce sentences that target form but are also encouraged use language creatively and to personalize language by expressing their own opinions in exercises.

Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study... of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced:"O My America, My New Founde Land"  explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia."The Republic of Virtue"  sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch."The Wilderness and the West"  discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation,"  and of those who recorded America's westward expansion--George Caleb Bingham, Albert Bierstadt, and Frederic Remington--and the accompanying shift in the perception of the Indian, from noble savage to outright demon."American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners."The Gritty Cities"  looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School."Early Modernism" introduces the first American avant garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright."Streamlines and Breadlines"  surveys the boom years, when skyscrapers and Art Deco were all the rage . . . and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs"  examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music."The Age of Anxiety"  considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 90s.Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions was originally published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America."  This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.

Visual culture - art, advertising, architecture, cinema, television, cartography, video, the internet, and images of science - has shaped American... national identity more than that of any other country. Covering the period from the late nineteenth century to the present day, the book explores how visual culture has at once transformed and consolidated the image of the United States. American Visual Culture presents both an analysis of the diversity of American visual media and a critical introduction to the study and interpretation of visual culture. Thematic chapters - on American urban and rural landscapes, icons, popular culture, art and photography, as well as on crime, anxiety and sex - describe the cultural, intellectual and historical context. Throughout, these themes are discussed in conjunction with clear and concise explanations of key visual theories and methodologies.

American Visual Cultures analyses the role of painting, photography, film, television, advertising, journalism and other visual media in the historical... development of the United States from the Civil War to the present day. It offers a chronology of major debates and developments in modern US history and traces the social, political and economic factors that have shaped the development of visual forms and practices across time. Illustrated throughout, the book combines a wide range of critical approaches and is made up of new essays by internationally renowned scholars. A General Introduction, in which the editors discuss the theoretical and pedagogical approaches shaping the contemporary study of visual culture, with particular reference to the United States, is followed by four sections, each covering a defined chronological period: 1861-1929; 1929-1963; 1963-1980; 1980 to the present. Each section opens with an introduction by the editors, giving historical and cultural context and highlighting thematic and pedagogical links between essays. An annotated bibliography of suggested further reading completes this invaluable and unique resource for the student and teacher of modern American art, media and culture.

American Voices is a collection of short, readable descriptions of various American dialects, written by top researchers in the field. written by top... researchers in the field and includes Southern English, New England speech, Chicano English, Appalachian English, Canadian English, and California English, among many others fascinating look at the full range of American social, ethnic, and regional dialects written for the lay person

American Voices, American Lives is a fresh, illuminating core reader for introductory courses in American studies and an exciting companion volume for... surveys in American history and American literature that offers extraordinary documents, many never before accessible to students.

This thematic reader focuses on contemporary American culture and offers over 120 provocative readings and images representing a broad range of genres... and diverse authorial voices.

This thematic reader addresses the diversity of American culture by featuring over 100 provocative readings and images representing a broad range of... diverse authorial voices.

Eighteen full and lengthy selections from Margaret Leech, Helen Hunt Jackson, Edward Bellamy, Frederick Jackson Turner, Andy Adams, Jane Addams, Lincoln... Steffens, Plunkitt of Tammany Hall, Upton Sinclair, Sinclair Lewis, John Dos Passos, Ruth McKenney, John Steinbeck, Henry Roth, Ralph Ellison, the Port Huron Statement, the Walker Report, and Greil Marcus.

American War Poetry spans the history of the nation. Beginning with the Colonial Wars of the eighteenth-century and ending with the Gulf Wars, this... original and significant anthology presents four centuries of American men and women-soldiers, nurses, reporters, and embattled civilians-writing about war. American War Poetry opens with a ballad by a freed African American slave commenting on a skirmish with Indians in a Massachusetts meadow. Poems on the American Revolution follow, as well as poems on "minor" conflicts like the Mexican War and the Spanish-American Wars. This compact anthology has generous selections on the Civil War, World Wars I and II, the Korean War, and the Vietnamese-American War, but it also includes an unusually large offering on American participation in the Spanish Civil War. Another section covers four hundred years of conflict with Native Americans, ending with poems by contemporary Indians who respond passionately and directly to their difficult history. The collection also reaches into current reaction to American involvement in Latin America, Bosnia, and the Gulf Wars. Showing the depth of feeling and the range of thinking with which Americans have confronted war, American War Poetry expands our sense of what poetry is made to do. While the birth of a national identity is documented in early poems, the anthology also conveys the growing sophistication of a uniquely American style. Although early war poems show that the first justification for war was purely defensive, as American global ambitions matured, American writers moved increasingly to deplore a homegrown imperialism and its terrible costs. While many familiar poems of patriotic ardor have been chosen, other poems show a steady interest in antiwar themes. Lorrie Goldensohn provides a brief biography for each poet and places each poem in its proper literary and historical context. Comprehensive and compelling, American War Poetry not only documents the birth and development of a national style of expression but shows the force of poetry working on the historical moment, making it come vitally alive.