With wit and intelligence, Leo Katz seeks to understand the basic rules and concepts underlying the moral, linguistic, and psychological puzzles that... plague the criminal law."Bad Acts and Guilty Minds . . . revives the mind, it challenges superficial analyses, it reminds us that underlying the vast body of statutory and case law, there is a rationale founded in basic notions of fairness and reason. . . . It will help lawyers to better serve their clients and the society that permits attorneys to hang out their shingles."—Edward N. Costikyan, New York Times Book Review

Advance praise for Philip Plait s Bad Astronomy"Bad Astronomy is just plain good! Philip Plait clears up every misconception on astronomy and space you... never knew you suffered from." --Stephen Maran, Author of Astronomy for Dummies and editor of The Astronomy and Astrophysics Encyclopedia"Thank the cosmos for the bundle of star stuff named Philip Plait, who is the world s leading consumer advocate for quality science in space and on Earth. This important contribution to science will rest firmly on my reference library shelf, ready for easy access the next time an astrologer calls." --Dr. Michael Shermer, Publisher of Skeptic magazine, monthly columnist for Scientific American, and author of The Borderlands of Science"Philip Plait has given us a readable, erudite, informative, useful, and entertaining book. Bad Astronomy is Good Science. Very good science..." --James "The Amazing" Randi, President, James Randi Educational Foundation, and author of An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural"Bad Astronomy is a fun read. Plait is wonderfully witty and educational as he debunks the myths, legends, and 'conspiracies that abound in our society. 'The Truth Is Out There' and it's in this book. I loved it!" --Mike Mullane, Space Shuttle astronaut and author of Do Your Ears Pop in Space?

A trade paperback reissue of National Book Award finalist Mary Gaitskill’s debut collection, Bad Behavior—powerful stories about dislocation,... longing, and desire which depict a disenchanted and rebellious urban fringe generation that is searching for human connection. • Now a classic: Bad Behavior made critical waves when it first published, heralding Gaitskill’s arrival on the literary scene and her establishment as one of the sharpest, erotically charged, and audaciously funny writing talents of contemporary literature. Michiko Kakutani of The New York Times called it “Pinteresque,” saying, “Ms. Gaitskill writes with such authority, such radar-perfect detail, that she is able to make even the most extreme situations seem real… her reportorial candor, uncompromised by sentimentality or voyeuristic charm…underscores the strength of her debut.”

From 1932 to 1972, the United States Public Health Service conducted a non-therapeutic experiment involving over 400 black male sharecroppers infected... with syphilis. The Tuskegee Study had nothing to do with treatment. It purpose was to trace the spontaneous evolution of the disease in order to learn how syphilis affected black subjects. The men were not told they had syphilis; they were not warned about what the disease might do to them; and, with the exception of a smattering of medication during the first few months, they were not given health care. Instead of the powerful drugs they required, they were given aspirin for their aches and pains. Health officials systematically deceived the men into believing they were patients in a government study of "bad blood", a catch-all phrase black sharecroppers used to describe a host of illnesses. At the end of this 40 year deathwatch, more than 100 men had died from syphilis or related complications. "Bad Blood" provides compelling answers to the question of how such a tragedy could have been allowed to occur. Tracing the evolution of medical ethics and the nature of decision making in bureaucracies, Jones attempted to show that the Tuskegee Study was not, in fact, an aberration, but a logical outgrowth of race relations and medical practice in the United States. Now, in this revised edition of "Bad Blood", Jones traces the tragic consequences of the Tuskegee Study over the last decade. A new introduction explains why the Tuskegee Study has become a symbol of black oppression and a metaphor for medical neglect, inspiring a prize-winning play, a Nova special, and a motion picture. A new concluding chapter shows how the black community's wide-spread anger and distrust caused by the Tuskegee Study has hampered efforts by health officials to combat AIDS in the black community. "Bad Blood" was nominated for the Pulitzer Prize and was one of the "N.Y. Times" 12 best books of the year.

In his own words...As a boy, Walter Dean Myers was quick-tempered and physically strong, always ready for a fight. He also read voraciously-he would... check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer. But growing up in a poor family in Harlem, his hope for a successful future diminished as he came to realize fully the class and racial struggles that surrounded him. He began to doubt himself and the values that he had always relied on, attending high school less and less, turning to the streets and his books for comfort.In a memoir that is gripping, funny, and ultimately unforgettable, Walter Dean Myers travels back to his roots in the magical world of Harlem during the 1940s and 1950s. Here is the story of one of the strongest voices in young people's literature today.

Explore the dark subculture of 1950s tattoos!In the early 1950s, when tattoos were the indelible mark of a lowlife, an erudite professor of English--a... friend of Gertrude Stein, Thomas Mann, Andre Gide, and Thornton Wilder--abandoned his job to become a tattoo artist (and incidentally a researcher for Alfred Kinsey). Bad Boys and Tough Tattoos tells the story of his years working in a squalid arcade on Chicago’s tough State Street. During that time he left his mark on a hundred thousand people, from youthful sailors who flaunted their tattoos as a rite of manhood to executives who had to hide their passion for well-ornamented flesh. Bad Boys and Tough Tattoos is anything but politically correct. The gritty, film-noir details of Skid Row life are rendered with unflinching honesty and furtive tenderness. His lascivious relish for the young sailors swaggering or staggering in for a new tattoo does not blind him to the sordidness of the world they inhabited. From studly nineteen-year-olds who traded blow jobs for tattoos to hard-bitten dykes who scared the sailors out of the shop, the clientele was seedy at best: sailors, con men, drunks, hustlers, and Hells Angels. These days, when tattoo art is sported by millionaires and the middle class as well as by gang members and punk rockers, the sheer squalor of Bad Boys and Tough Tattoos is a revelation. However much tattoo culture has changed, the advice and information is still sound: how to select a good tattoo artist what to expect during a tattooing session how to ensure the artist uses sterile needles and other safety precautions how to care for a new tattoo why people get tattoos--25 sexual motivations for body artMore than a history of the art or a roster of famous--and infamous--tattoo customers and artists, Bad Boys and Tough Tattoos is a raunchy, provocative look at a forgotten subculture.

Whether called black sheep, sociopaths, felons, con men, or misfits, some men break all the rules. They shirk everyday responsibilities, abuse drugs... and alcohol, take up criminal careers, and lash out at family members. In the worst cases, they commit rape, murder, and other acts of extreme violence as though they lack a conscience. What makes these men--men we all know, whether as faces in the news or as people close to us--behave the way they do? Bad Boys, Bad Men examines antisocial personality disorder or ASP, the mysterious mental condition that underlies this lifelong penchant for bad behavior. Psychiatrist and researcher Donald W. Black, MD, draws on case studies, scientific data, and current events to explore antisocial behavior and to chart the history, nature, and treatment of a misunderstood disorder that affects up to seven million Americans. Citing new evidence from genetics and neuroscience, Black argues that this condition is tied to biological causes and that some people are simply born bad. Bad Boys, Bad Men introduces us to people like Ernie, the quintessential juvenile delinquent who had an incestuous relationship with his mother and descended into crime and alcoholism; and John Wayne Gacy, the notorious serial killer whose lifelong pattern of misbehavior escalated to the rape and murder of more than 30 young men and boys. These compelling cases read like medical detective stories as Black tries to separate the lies these men tell from the facts of their lives. Bad Boys, Bad Men not only describes the warning signs that predict which troubled children are more likely to become dangerous adults, but also details progress toward treatment for ASP. This volume will be an essential resource for psychiatrists, psychologists, criminologists, victims of crime, families of individuals afflicted with ASP, and anyone else interested in understanding antisocial behavior.

Statistics show that black males are disproportionately getting in trouble and being suspended from the nation's school systems. Based on three years of... participant observation research at an elementary school, Bad Boys offers a richly textured account of daily interactions between teachers and students to understand this serious problem. Ann Arnett Ferguson demonstrates how a group of eleven- and twelve-year-old males are identified by school personnel as "bound for jail" and how the youth construct a sense of self under such adverse circumstances. The author focuses on the perspective and voices of pre-adolescent African American boys. How does it feel to be labeled "unsalvageable" by your teacher? How does one endure school when the educators predict one's future as "a jail cell with your name on it?" Through interviews and participation with these youth in classrooms, playgrounds, movie theaters, and video arcades, the author explores what "getting into trouble" means for the boys themselves. She argues that rather than simply internalizing these labels, the boys look critically at schooling as they dispute and evaluate the meaning and motivation behind the labels that have been attached to them. Supplementing the perspectives of the boys with interviews with teachers, principals, truant officers, and relatives of the students, the author constructs a disturbing picture of how educators' beliefs in a "natural difference" of black children and the "criminal inclination" of black males shapes decisions that disproportionately single out black males as being "at risk" for failure and punishment.Bad Boys is a powerful challenge to prevailing views on the problem of black males in our schools today. It will be of interest to educators, parents, and youth, and to all professionals and students in the fields of African-American studies, childhood studies, gender studies, juvenile studies, social work, and sociology, as well as anyone who is concerned about the way our schools are shaping the next generation of African American boys.Anne Arnett Ferguson is Assistant Professor of Afro-American Studies and Women's Studies, Smith College.

Bad Daughter explores misbehavior--its risky pleasures and often tragic consequences--through poems about "bad" daughters, sisters, and their mothers.... What happens to the sister who obeys? What if a daughter refuses her inheritance? Can she? What sanctuary and what limits do worship and domesticity provide? Gorham adopts several lyric forms--'morality tales,' ironic prayers, scaled-down sonnets, sharp meditations on concepts such as envy, detachment, and immortality--to show that the self as forged by generations of women and girls is both subversive and enduring.

This is the story of Sir Hilary Synnott’s time as Britain’s most senior representative in Southern Iraq, from 2003 to 2004, trying to keep the... region together as the rest of the country descended in to murderous violence. By turns wryly comic, revealing and heart-breaking, it offers a never seen before glimpse in to the high politics of the occupation. Shuttling between the gilded palaces of the Green Zone and the Coalition HQ in Basra, Synnott had to deal with his American counterpart Paul Bremer's brash indifference to what was going on in the South, the fickleness of his London masters, who could never make up their minds, and the brutal political realities of a country under occupation. Bearing witness for first time to the chaotic fashion in which the coalition was run and the disastrous impact of its policies, Synnott's unique insider account is the most important primary source yet on how Southern Iraq spun out of control. It is also an entertaining and witty portrait of the absurdities of life inside the occupying coalition.

Annie Proulx's new collection is peopled by characters who struggle with circumstances beyond their control. Born to ranching, drawn to it, or desperate... to get out, they inhabit worlds that are isolated and often dangerous. Trouble comes at them from unexpected angles, and they drive themselves through it, hardheaded and resourceful. No one writes better than Proulx about the American west and about lives that may no longer be viable. This is a stunning collection by one of the most vivid and exhilarating writers of our time.

Mommy, Daddy, Cassie, and Baby Louie welcome Marley, their new Labrador pup, into their family. But Marley doesn't stay a tiny puppy for long. He grows... and grows, and the bigger Marley gets, the bigger trouble he gets into. Big, bad-boy trouble. Whether it's chewing Mommy's reading glasses or swallowing Daddy's paycheck, Marley is a dog like no other. He tries to be a good dog, honest he does, but everything he tries ends up bad. Then one day Marley goes too far. Will this family have to find a new home for their big, crazy, pure-hearted dog? Inspired by John Grogan's bestselling memoir, Marley & Me, this heartwarming story shows that loving someone, flaws and all, can reap huge rewards.

It is the spring of 1939 in the age of anxiety. In months Europe will be Hitler's. And Badenheim, a resort town vaguely in the orbit of Vienna, is... preparing for its summer season. The vacationers arrive as they always have, a sampling of Jewish middleclass life: the impresario Dr. Pappenheim, his musicians, and their conductor; the gay Frau Tsauberblit; the historian Dr. Fussholdt and his much younger wife; the 'readers,' twins whose passion for Rilke is featured on their program; a child prodigy; a commercial traveler; a rabbi. The list lengthens as the summer ages. To receive them in the town are the pharmacist and his worried wife, the hotelier and his large staff, the pastry shop owner and his irritable baker, Sally and Gertie (two quite respectable prostitutes), and, mysteriously, the bland inspectors from the 'Sanitation Department.'The story unfolds as matter-of-factly as a Chekhov play. The characters on stage are so deeply held by their defensive daily trivia that they manage to misconstrue every signal of their fate. Finally, de facto prisoners in their familiar resort, the vacationers, now increased by the forced crowding-in of other Jews hardly on vacation, take on the lineaments of undefined disaster. The text builds a sense of foreboding in which each human detail is so persuasive, so right in its fidelity to the terrible evasions of the time, that it leaves the reader transformed by what he and the author know must happen to Badenheim's people.Badenheim 1939, bound to be seen as one of this century's characteristic works of art, owes everything to its author's astonishing capacity to recreate the energies and confusions of a failing world's victims and without loss of that world's illusions of civility, the force of its social customs, or the cruel terms of its collapse.In publishing the complete text of Appelfeld's short novel in translation for the first time, we introduce an writer of international stature to the English-speaking world.

It is spring 1939 in the age of anxiety. In months Europe will be Hitler's. And Badenheim, a resort town vaguely in the orbit of Vienna, is preparing... for its summer season. The vacationers arrive as they always have, a sampling of Jewish middle-class life: the impresario Dr. Pappenheim, his musicians, and their conductor; the gay Frau Tsauberblit; the historian, Dr. Fussholdt, and his much younger wife; the "readers," twins whose passion for Rilke is featured on their program; a child prodigy; a commercial traveler; a rabbi. The list waxes as the summer wanes. To receive them in the town are the pharmacist and his worried wife, the hotelier and his large staff, the pastry shop owner and his irritable baker, Sally and Gertie (two quite respectable prostitutes), and, mysteriously, the bland inspectors from the "Sanitation Department."The story unfolds as matter-of-factly as a Chekhov play. The characters on stage are so deeply held by their defensive daily trivia that they manage to misconstrue every signal of their fate. Finally, the vacationers, whose numbers have now increased by the forced crowding-in of other Jews hardly on vacation, become de facto prisoners in their familiar resort; their "vacation" begins to take on the lineaments of undefined disaster. The text builds a sense of foreboding in which each human detail is so persuasive, so right in its fidelity to the terrible evasions of the time, that it leaves us transformed by what we and the author know must, and will, happen to Badenheim's visitors.Badenheim 1939 owes everything to its author's astonishing capacity to recreate the energies and confusions of innocent and uncomprehending victims who, always loyal to civility and social graces, fail to even dimly see the cruel terms of their imminent fate.

The Bader Reading and Language Inventory was constructed for use by teachers for K-12 and adult students, reading specialists, and clinicians. The... design of this inventory allows examiners the flexibility to obtain information for measuring a reader's growth, assessing the effectiveness of specific reading approaches, and diagnosing specific literacy needs. As experienced teachers look for patterns of behavior to observe learner's strengths and needs.  This can be accomplished with an assessment model that includes personal interviews and student reflection, observations, informal and formal tests and diagnostic teaching.   The Bader inventory provides several valuable, research-based tools and guides to complement this assessment model balancing assessment practice without overtesting students.