In Buena Vista in the Club, Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial... eclipse by reggaetón. While Cuban officials initially rejected rap as “the music of the enemy,” leading figures in the hip hop scene soon convinced certain cultural institutions to accept and then promote rap as part of Cuba’s national culture. Culminating in the creation of the state-run Cuban Rap Agency, this process of “nationalization” drew on the shared ideological roots of hip hop and the Cuban nation and the historical connections between Cubans and African Americans. At the same time, young Havana rappers used hip hop, the music of urban inequality par excellence, to critique the rapid changes occurring in Havana since the early 1990s, when the Soviet Union fell, its subsidy of Cuba ceased, and a tourism-based economy emerged. Baker considers the explosion of reggaetón in the early 2000s as a reflection of the “new materialism” that accompanied the influx of foreign consumer goods and cultural priorities into “sociocapitalist” Havana. Exploring the transnational dimensions of Cuba’s urban music, he examines how foreigners supported and documented Havana’s growing hip hop scene starting in the late 1990s and represented it in print and on film and CD. He argues that the discursive framing of Cuban rap played a crucial part in its success.

"An excellent book based on exhaustive research and written with fresh insight. It is a spellbinding accomplishment and brings both the man and his era... to life. . . . It is an extraordinary achievement."-Arizona Daily Star"Carter presents this astounding tale in a very balanced fashion, providing both the nineteenth-century rationale and his repug-nance at acts today considered shocking. . . . Through Carter's writing, the heroic and ultimately sad life of a remarkable human being makes a deep impact."-Richmond Times Dispatch"A comprehensive, sharply rendered life of showman William 'Buffalo Bill' Cody pries realities away from legend. . . . A splendid portrait of Cody's life and times, at once poignant, boisterous, and disturbing."-Kirkus Reviews (starred review)"There's a large audience for American, and particularly Western, history, and those readers will not want to miss this genial account."-Publishers Weekly"This is the remarkable story of an amazing life. Cody not only lived the adventure of the frontier, he helped create the American West of the imagination. A fascinating story and a must-read for anyone interested in the evolution of the Western myth."-Casey Tefertillerauthor, Wyatt Earp: The Life Behind the Legend

When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From... blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper.Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.

William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have... scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.

William Cody (1846—1917), a.k.a. Buffalo Bill, was the most famous American of his age. A child of the frontier Great Plains, Cody was renowned as a... Pony Express rider, prospector, trapper, Civil War soldier, professional buffalo hunter, Indian fighter, cavalry scout, horseman, dime-novel hero, and actor. But Buffalo Bill’s greatest success was as impresario of the Wild West show, the traveling company of cowboys, Indians, Mexican vaqueros, and others, numbering in the hundreds, with which he toured North America and Europe for more than three decades. As Louis S. Warren reveals, the show company came to represent America itself, its dazzling mix of races sprung from a frontier past, welded into a thrilling performance, and making their way through the world via the modern technologies of railroad, portable electrical generator, telephones, and brilliantly colored publicity–an entrancing vision of the frontier-born, newly mechanized, polyglot United States in the Gilded Age.Biographers have long disputed whether Cody was a hero or a charlatan. As Warren shows, the question already preoccupied critics and spectators during Cody’s own lifetime. In fact, the savvy entertainer encouraged the dispute by mingling fictional exploits with his not inconsiderable achievements to construct the persona of an ideal frontiersman, a figure who was more controversial than has been commonly understood. At the same time, his show provided a means for rural westerners, including cowboys, cowgirls, and especially Lakota Sioux Indians, to claim a new future for themselves by reenacting a version of the past.The most comprehensive critical biography of William Cody in more than forty years, Buffalo Bill’s America places America’s most renowned showman in the context of his cultural worlds in the Far West, in the East, and in Europe. A rich and revealing biography and social history of an American cultural icon.

“One of the most picturesque figures of American frontier life.”—The New York TimesBuffalo Bill lives deep in American legend. A Kansas-bred farm... boy, he went on to become a renowned trapper and hunter, army scout, Indian fighter, and finally a world showman and celebrity. As a man of the Wild West, he became known as a larger-than-life buffalo hunter. As an army scout, he earned the Medal of Honor for gallantry in action. But Bill was unsatisfied. Setting his sights higher yet, he traveled the country performing in Wild West stage shows, and eventually founded “Buffalo Bill’s Wild West,” a terrifically successful traveling production depicting cowboy and Indian life on the plains. Bill’s show earned him large sums of money and drove him to intense national prominence at the turn of the century. This is his story in his own words. 8 b&w illustrations

A fascinating analysis of the first famous American to erase the boundary between real history and entertainmentCanada, and Europe. Crowds cheered as... cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure.Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition.But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.

" Winner of the 35th Annual Lillian Smith Book Award, 2004 A BookSense 76 Spring 2004 Top 10 Poetry Book! Read an excerpt from the book Listen to Frank... X Walker reading on NPR's ""This I Believe"" segment of Morning Edition. This collection of persona poems tells the story of the infamous Lewis & Clark expedition from the point of view of Clark's personal slave, York. The poems form a narrative of York's inner and outer journey, before, during and after the expedition--a journey from slavery to freedom, from the plantation to the great northwest, from servant to soul yearning to be free. Over the course of the saga and through the poems, we are treated to subtle and overt commentaries on literacy, slavery, native Americans, buffalo, the environment, and more. Though Buffalo Dance purposely references historic accounts and facts, it is fictionalized poetry, and Frank X Walker's rare blend of history and art breathes life into an important but overlooked historical figure. Frank X Walker is the author of Affrilachia and the soon to be released Black Box, two collections of poetry. He teaches in the department of English & Theatre and is the interim Director of the African/African American Studies Program at Eastern Kentucky University. He is also a visiting professor in Pan African Studies department at the University of Louisville. A 2004 recipient of the Lillian Smith Book Award, he lives in Lexington, KY. Click here for Frank Walker's website.

A collection by an award-winning author includes ten short tales, eighteen poems, and the title story in which a child survives a plane crash and... enters a Dream Time of primitive myths and an all-knowing coyote. Reissue.

Buffalo as a business on the Cheyenne River Sioux ReservationSome American Indian tribes on the Great Plains have turned to bison ranching in recent... years as a culturally and ecologically sustainable economic development program. This book focuses on one enterprise on the Cheyenne River Sioux Reservation to determine whether such projects have fulfilled expectations and how they fit with traditional and contemporary Lakota values.Drawing upon on-site fieldwork and using anthropological, economic, and ecological approaches, Sebastian Felix Braun examines the creation of Pte Hca Ka, Inc., and its management styles as they evolved over fifteen years. He paints a compelling picture of cultural change.Braun traces Pte Hca Ka from its origin as a self-sustaining project that sought to combine traditional values with modern technology. He shows how the company tried to operate on cultural and ecological ideals until the tribal government shed its cultural agenda in favor of a pure business orientation. Braun describes these changes and presents the arguments of both sides.In Buffalo Inc., bison serve as a test case for a broader analysis of issues such as sustainability, economic development, tribal politics, and cultural identity.

Ken Smith’s extensive knowledge about the Buffalo River country, including his experience setting up trails and publishing river guides, is on display... in this fascinating book about the history and geology of the Buffalo National River. The book was done in coordination with NATIONAL GEOGRAPHIC MAPS, TRAILS ILLUSTRATED.

Since its hardcover publication in August of 1995, Buffett has appeared on the Wall Street Journal, New York Times, San Francisco Chronicle, Los Angeles... Times, Seattle Times, Newsday and Business Week bestseller lists. The incredible landmark portrait of Warren Buffett's uniquely American life is now available in paperback, revised and updated by the author.Starting from scratch, simply by picking stocks and companies for investment, Warren Buffett amassed one of the epochal fortunes of the twentieth century--an astounding net worth of $10 billion, and counting. His awesome investment record has made him a cult figure popularly known for his seeming contradictions: a billionaire who has a modest lifestyle, a phenomenally successful investor who eschews the revolving-door trading of modern Wall Street, a brilliant dealmaker who cultivates a homespun aura.Journalist Roger Lowenstein draws on three years of unprecedented access to Buffett's family, friends, and colleagues to provide the first definitive, inside account of the life and career of this American original. Buffett  explains Buffett's' investment strategy--a long-term philosophy grounded in buying stock in companies that are undervalued on the market and hanging on until their worth invariably surfaces--and shows how it is a reflection of his inner self.

How can Buffy’s religious symbolism be squared with creator Joss Whedon’s professed atheism? Is Buffy truly a Kierkegaardian knight of faith? Do... Faith’s corruption and return to the good life demonstrate Platonic eudaimonism? Or do they illustrate the flaws in Nietzsche’s superman concept? What does the show’s treatment of vampires, demons, and other entities say about ethical attitudes toward nonhumans? These are some of the questions asked and answered in this lively collection of essays that link classical philosophy to the long-running series Buffy the Vampire Slayer. Buffy’s status as the leading vehicle for exploring the evil underlying everyday life has made it ripe for the kind of witty, penetrating philosophical analysis this book delivers -- fully disintering the intellectual issues that underlie this cult favorite.