"Disability Theory is just the book we've been waiting for. Clear, cogent, compelling analyses of the tension between the 'social model' of disability... and the material details of impairment; of identity politics and unstable identities; of capability rights and human interdependence; of disability and law, disability as masquerade, disability and sexuality, disability and democracy---they're all here, in beautifully crafted and intellectually startling essays. Disability Theory is a field-defining book: and if you're curious about what 'disability' has to do with 'theory,' it's just the book you've been waiting for, too."---Michael Bérubé, Pennsylvania State University"Disability Theory is magisterially written, thoroughly researched, and polemically powerful. It will be controversial in a number of areas and will probably ruffle feathers both in disability studies as well as in realms of cultural theory. And that's all to the good."---Michael Davidson, University of California, San Diego"Not only is Disability Theory a groundbreaking contribution to disability studies, it is also a bold, ambitious and much needed revision to a number of adjacent and overlapping fields including cultural studies, literary theory, queer theory, and critical race studies. Siebers has written a powerful manifesto that calls theory to account and forces readers to think beyond our comfort zones."---Helen Deutsch, University of California, Los AngelesIntelligent, provocative, and challenging, Disability Theory revolutionizes the terrain of theory by providing indisputable evidence of the value and utility that a disability studies perspective can bring to key critical and cultural questions. Tobin Siebers persuasively argues that disability studies transfigures basic assumptions about identity, ideology, language, politics, social oppression, and the body. At the same time, he advances the emerging field of disability studies by putting its core issues into contact with signal thinkers in cultural studies, literary theory, queer theory, gender studies, and critical race theory.Tobin Siebers is V. L. Parrington Collegiate Professor, Professor of English Language and Literature, and Professor of Art and Design at the University of Michigan.A volume in the series Corporealities: Discourses of DisabilityIllustration: Pattern by Riva Lehrer, acrylic on panel, 18" X 24", 1995

What is it like to experience disability? What are the prevailing cultural attitudes toward those who experience disability? How do social norms and... public policies affect those experiencing disability? This book provides a vivid and concrete introduction to the wealth of social, political, and ethical debates that surround the disabled. Beginning with an exploration of the perspective of persons with disabilities, the essays demonstrate the extent to which the disability experience is affected by social and cultural values, attitudes, and policies. In addition to these first-person reflections, there are essays relating to such issues as: the disability rights movement; disability studies; social policy relating to disability; physician-assisted suicide; genetic testing; selective abortion; the moral status of handicapped new-borns; and living and dying with dignity.Written in an engaging style with a focus on the concrete, this collection of essays includes contributions by John Hockenberry, Charles Krauthammer, Peter Singer, and others. It is a marvellous resource for enabling the reader to comprehend the experience of disability and to explore contemporary issues involving the disability community.

This volume in The SAGE Reference Series on Disability explores issues involving disability through the life courses, and is one of eight volumes in the... cross-disciplinary and issues-based series, which examines topics central to the lives of individuals with disabilities and their families. With a balance of history, theory, research, and application, specialists set out the findings and implications of research and practice for others whose current or future work involves the care and/or study of those with disabilities, as well as for the disabled themselves. The concise, engaging presentational style emphasizes accessibility. Taken individually, each volume sets out the fundamentals of the topic it addresses, accompanied by compiled data and statistics, recommended further readings, a guide to organizations and associations, and other annotated resources, thus providing the ideal introductory platform and gateway for further study. Taken together, the series represents both a survey of major disability issues and a guide to new directions and trends and contemporary resources in the field as a whole.

The Americans with Disabilities Act (ADA) of 1990 was intended to send a clear message to society that discrimination on the basis of disability is... unacceptable. As with most civil rights laws, the courts were given primary responsibility for implementing disability rights policy. Mezey argues that the act has not fulfilled its potential primarily because of the judiciary's "disabling interpretations" in adjudicating ADA claims. In the decade of litigation following the enactment of the ADA, judicial interpretation of the law has largely constricted the parameters of disability rights and excluded large numbers of claimants from the reach of the law. The Supreme Court has not interpreted the act broadly, as was intended by Congress, and this method of decision making was for the most part mirrored by the courts below. The high court's rulings to expand state sovereign immunity and insulate states from liability in damage suits has also caused claimants to become enmeshed in litigation and has encouraged defendants to challenge other laws affecting disability rights. Despite the law's strong civil rights rhetoric, disability rights remain an imperfectly realized goal.

Traditionally, deaf education has been treated as the domain of special educators who strive to overcome the difficulties associated with hearing loss.... Recently, the sociocultural view of deafness has prompted research and academic study of Deaf culture, sign language linguistics, and bilingual education. Linda Komesaroff exposes the power of the entrenched dominant groups and their influence on the politics of educational policy and practice in Disabling Pedagogy: Power, Politics, and Deaf Education. Komesaroff suggests a reconstruction of deaf education based on educational and social theory. First, she establishes a deep and situated account of deaf education in Australia through interviews with teachers, Deaf leaders, parents, and other stakeholders. Komesaroff then documents a shift to bilingual education by one school community as part of her ethnographic study of language practices in deaf education. She also reports on the experiences of deaf students in teacher education. Her study provides an analytical account of legal cases and discrimination suits brought by deaf parents for lack of access to native sign language in the classroom. Komesaroff confronts the issue of cochlear implantation, locating it within the broader context of gene technology and bioethics, and advocates linguistic rights and self-determination for deaf people on the international level. Disabling Pedagogy concludes with a realistic assessment of the political challenge and the potential of the “Deaf Resurgence” movement to enfranchise deaf people in the politics of their own education.

Disagreement is common: even informed, intelligent, and generally reasonable people often come to different conclusions when confronted with what seems... to be the same evidence. Can the competing conclusions be reasonable? If not, what can we reasonably think about the situation? This volume examines the epistemology of disagreement. Philosophical questions about disagreement arise in various areas, notably politics, ethics, aesthetics, and the philosophy of religion: but this will be the first book focusing on the general epistemic issues arising from informed disagreement. Ten leading philosophers offer specially written essays which together will offer a starting-point for future work on this topic.

What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and... if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.

He was tall, dark as bittersweet chocolate, and impossibly gorgeous, with a woman-melting smile. She was pretty and independent, petite and not too... skinny, just his type. Franklin Swift was a sometimes-employed construction worker, and a not-quite-divorced daddy of two. Zora Banks was a teacher, singer, songwriter. They met in a Brooklyn brownstone, and there could be no walking away... In this funny, gritty urban love story, Franklin and Zora join the ranks of fiction's most compelling couples, as they move from Scrabble to sex, from layoffs to the limits of faith and trust. Disappearing Acts is about the mystery of desire and the burdens of the past. It's about respect, what it can and can't survive. And it's about the safe and secret places that only love can find.

With its move from hierarchical to team-based structures and its dismantling of functional barriers, the organization of the future is touted as a... radical departure from traditional models. The worker of the future, we are told, must be a collaborative team player, able to give and receive help, empower others, and operate in a world of interdependence. This new worker needs relational skills and emotional intelligence--the ability to work effectively with others and understand the emotional context in which work takes place. Paradoxically, the very skills that give organizations a competitive advantage may be precisely those that prevent individual employees--especially women--from advancing.In this book Joyce K. Fletcher presents a study of female design engineers that has profound implications for attempts to change organizational culture. Her research shows that emotional intelligence and relational behavior often "get disappeared" in practice, not because they are ineffective but because they are associated with the feminine or softer side of work. Even when they are in line with stated goals, these behaviors are viewed as inappropriate to the workplace because they collide with powerful, gender-linked images of good workers and successful organizations. Fletcher describes how this collision of gender and power "disappears" the very behavior that organizations say they need and undermines the possibility of radical change. She shows why the "female advantage" does not seem to be advantaging females or organizations. Finally, she suggests ways that individuals and organizations can make visible the invisible work--and people--critical to organizational competence and transformation.

In Disappearing Acts, Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and spectatorship. The specific... identity in question is that of Argentina, and Taylor’s focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation’s "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war—concentration camps, torture, "disappearances"—as well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military.Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged—and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men—fought on, over, and through the feminine body of the Motherland. She shows how the military’s representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public—limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina’s national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina’s spectacle of terror.

Cryptology is the practice of hiding digital information by means of various obfuscatory and steganographic techniques. The application of said... techniques facilitates message confidentiality and sender/receiver identity authentication, and helps to ensure the integrity and security of computer passwords, ATM card information, digital signatures, DVD and HDDVD content, and electronic commerce. Cryptography is also central to digital rights management (DRM), a group of techniques for technologically controlling the use of copyrighted material that is being widely implemented and deployed at the behest of corporations that own and create revenue from the hundreds of thousands of mini-transactions that take place daily on programs like iTunes.This new edition of our best-selling book on cryptography and information hiding delineates a number of different methods to hide information in all types of digital media files. These methods include encryption, compression, data embedding and watermarking, data mimicry, and scrambling. During the last 5 years, the continued advancement and exponential increase of computer processing power have enhanced the efficacy and scope of electronic espionage and content appropriation. Therefore, this edition has amended and expanded outdated sections in accordance with new dangers, and includes 5 completely new chapters that introduce newer more sophisticated and refined cryptographic algorithms and techniques (such as fingerprinting, synchronization, and quantization) capable of withstanding the evolved forms of attack. Each chapter is divided into sections, first providing an introduction and high-level summary for those who wish to understand the concepts without wading through technical explanations, and then presenting concrete examples and greater detail for those who want to write their own programs. This combination of practicality and theory allows programmers and system designers to not only implement tried and true encryption procedures, but also consider probable future developments in their designs, thus fulfilling the need for preemptive caution that is becoming ever more explicit as the transference of digital media escalates.Includes 5 completely new chapters that delineate the most current and sophisticated cryptographic algorithms, allowing readers to protect their information against even the most evolved electronic attacks.Conceptual tutelage in conjunction with detailed mathematical directives allows the reader to not only understand encryption procedures, but also to write programs which anticipate future security developments in their design.Grants the reader access to online source code which can be used to directly implement proven cryptographic procedures such as data mimicry and reversible grammar generation into their own work.

The Celebrated poet and author of Can Poetry Matter?offers another bold, insightful collection of essays on literature's changing place in contemporary... culturePoetry is an art that preceded writing, and it will survive television and video games . . . The problem won't be finding an audience. The challenge will be writing well enough to deserve one. In Disappearing Ink, Dana Gioia stakes the claim for poetry's place amid American popular culture, where poetry in its latest oral forms -rap, slam, performance-is transforming the traditional literary culture of the printed page. But, as the seminal title essay asks, "What is a conscientious critic supposed to do with an Eminem or Jay-Z?" In a brilliant array of essays that test the pulse of traditional and contemporary poetry, Gioia ponders the future of the written word and how it might find its most relevant incarnation. With the clarity, wit, and feisty intelligence that made Can Poetry Matter? one of the most important and controversial books about literature and contemporary American society, Gioia again demonstrates his unique abilities of observation and uncanny prognostication to examine our complicated everyday relationship to art.

Sometimes funny, sometimes scandalous, always compelling, this extraordinary first novel chronicles the women of the Wong family from frontier railroad... camps to modern-day Vancouver. As past sins and inborn strengths are passed on from mother to daughter to granddaughter, each generation confronts, in its own way, the same problems — isolation, racism, and the clash of cultures. Moving effortlessly between past and present, between North America and China, Sky Lee weaves fiction and historical fact into a memorable and moving picture of a people’s struggle for identity.

American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically... over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography—fine-art, documentary, and editorial—her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention.Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice. In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality—a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.

Philip Yancey has a gift for articulating the knotty issues of faith. In Disappointment with God, he poses three questions that Christians wonder but... seldom ask aloud: Is God unfair? Is he silent? Is he hidden? This insightful and deeply personal book points to the odd disparity between our concept of God and the realities of life. Why, if God is so hungry for relationship with us, does he seem so distant? Why, if God cares for us, do bad things happen? What can we expect from God after all? Yancey answers these questions with clarity, honesty, and biblical assurance. He points us beyond life's disappointments and the cynicism they can breed to a stronger, wiser faith, a confidence in God's deep love for us, and a thirst to reach not just for what God gives, but for who God is.