The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of... Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age. With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for preservation, even cashing in his own retirement account to save one important archive–all twenty tons of it. Written the brilliant narrative style that Nicholson Baker fans have come to expect, Double Fold is a persuasive and often devastating book that may turn out to be The Jungle of the American library system.

George Rawick's From Sundown to Sunup is by far the most successful recent book about slave culture. . . . As impressive as Rawick's analysis of slave... life is his interpretation of American racism. Eric Foner, University Review

The classic personal account of one of the great scientific discoveries of the century. By identifying the structure of DNA, the molecule of life,... Francis Crick and James Watson revolutionized biochemistry and won themselves a Nobel Prize. At the time, Watson was only twenty-four, a brilliant young zoologist hungry to make his mark. His uncompromisingly honest account of the heady days of their thrilling sprint against other world-class researchers to solve one of science's greatest unsolved mysteries gives a dazzlingly clear picture of a world of brilliant scientists with great gifts, very human ambitions, and bitter rivalries. With humility unspoiled by false modesty, Watson relates his and Crick's desperate efforts to beat Linus Pauling to the Holy Grail of the life sciences, the identification of the basic building block of life. He is impressed by the achievements of the young man he was, but clear-eyed about his limitations. Never has such a brilliant scientist also been so gifted, and so truthful, in capturing in words the flavor of his work.

Tautly narrated and excruciatingly suspenseful, Double Indemnity gives us an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless... love that devastates everything it touches. First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

On every level -- writing, direction, acting -- Double Indemnity (1944) is a triumph and stands as one of the greatest achievements in Billy Wilder's... career. Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, Double Indemnity is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie.This facsimile edition of Double Indemnity contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.

Krzysztof Kieslowski, who died in 1996, perfected his art in movies lled with mesmerizing images of beauty and danger. His best-known lms, Blue; White;... Red; The Double Life of Veronique; and The Decalogue, remain watershed events in lmmaking history. Author Annette Insdorf, Kieslowskis close friend and translator, offers a revealing portrait of his life and monumental body of work. From the gold-bathed images of The Double Life of Veronique to the emotionally dark, visually haunting Blue, Kieslowskis lms explore personal and social issues with inimitable brilliance. This paperback edition includes an updated introduction with information on the much anticipated release of Heaven (March 2002)which Kieslowski wrote and planned to lm, before he died unexpectedly in March 1996.

Tells the story of the author's struggles after being orphaned at the age of three and how he held on to his dream of coming to the United States as he... passed from one relative to another and was even sold to a Communist couple.

Double or Nothing is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure,... most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels 

If Tom Sawyer and Huck Finn had come of age at the end of the 20th century looking for an all-American adventure, they probably would've headed for... Vegas. They'd have been hard-pressed to go on a wilder ride than the one taken by Tom Breitling and Tim Poster to the top of the famed Golden Nugget Hotel & Casino. Call them the Odds Couple. Breitling is the kid who lives next door if you grow up in Burnsville, Minnesota. He never saw a hundred dollar bill or The Godfather until he went to college. Poster comes from a family of oddsmakers who reach for the Doritos on football Sundays and scream for the point spread. He was whistling Sinatra and booking games at his Las Vegas high school. Their unlikely friendship began in college over an $8 veal parmigiana sandwich that led to a partnership in a hotel reservation business. Starting with a desk, a chair, a pillow, and a telephone, Tim and Tom grew a company that they sold during the dot.com boom for $105 million. This allows Tim to pursue his childhood dream of owning a casino and bringing back the glory days of Vegas. When Tim ups the odds and raises the limits to give gamblers the best game in town, a craps player nicknamed "Mr. Royalty," who's on one of the hottest winning streaks in history, heads for The Nugget. When he begins to take Tom and Tim for millions, the partnership is put to the test. But Tim refuses to back off on the odds or the high limits, telling his partner, "It's a ballsy proposition here. It's gonna be a roller coaster ride. But we don't have a public company to answer to. It's just you and me." When Mr. Royalty rolls twenty-two consecutive passes and rakes in a mountain of chips, he takes Tim and Tom to the brink. They must figure out a way to hold up The House. Just as they do, the roller coaster ride really gets rolling—and the ride becomes crazier than they'd ever imagined.

In the second edition of Double Standard, James W. Russell shows how and why different models of social and welfare policy developed in the United... States and Europe. He comparatively examines how Europe and the United States have handled common social problems such as poverty, inequality, unemployment, family support, health care provision, ethnic and racial conflict, and crime. These different social policy orientations have produced disparate social ways of life, ways of life that are now in contention for the future of western societies. Today Europeans see their strong welfare states as necessary to counter the worst features of unrestrained capitalism. They pay high taxes to support generous social benefits. Americans, to the contrary, have been conditioned to shudder at the idea of a welfare state, upholding instead a laissez-faire faith in market solutions to social problems. They pay low taxes and have few tax-subsidized benefits. This new edition includes the latest available statistical information as well as an analysis of the 2010 health care reform in the United States. The book also compares the social consequences of the latest recession in Europe and the United States.

In this important new anthology, Venetria K. Patton and Maureen Honey bring together a comprehensive selection of texts from the Harlem Renaissance-a... key period in the literary and cultural history of the United States. The collection revolutionizes our way of viewing this era, since it redresses the ongoing emphasis on the male writers of this time. Double-Take offers a unique, balanced collection of writers-men and women, gay and straight, familiar and obscure. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essayists, poets, dramatists, and artists. The editors have included works from a wide variety of genres-poetry, short stories, drama, and essays-allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the pieces are included in their entirety. Double-Take also includes artwork and illustrations, many of which are from original journals and have never before been reprinted. Significantly, Double-Take is the first Harlem Renaissance title to include song lyrics to illustrate the interrelation of various art forms.

Selected by celebrated author and professor T. Coraghessan Boyle, DOUBLETAKES: PAIRS OF CONTEMPORARY SHORT STORIES gives students the opportunity to... enjoy, through close reading and analysis, the works of some of the most recognized names in contemporary literature.