Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the... southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies. In their introduction, Deborah Barker and Kathryn McKee argue that the southern imaginary in film is not contained by the boundaries of geography and genre; it is not an offshoot or subgenre of mainstream American film but is integral to the history and the development of American cinema. Ranging from the silent era to the present and considering Hollywood movies, documentaries, and independent films, the contributors incorporate the latest scholarship in a range of disciplines. The volume is divided into three sections: “Rereading the South” uses new critical perspectives to reassess classic Hollywood films; “Viewing the Civil Rights South” examines changing approaches to viewing race and class in the post–civil rights era; and “Crossing Borders” considers the influence of postmodernism, postcolonialism, and media studies on recent southern films. The contributors to American Cinema and the Southern Imaginary complicate the foundational term “southern,” in some places stretching the traditional boundaries of regional identification until they all but disappear and in others limning a persistent and sometimes self-conscious performance of place that intensifies its power.

During the 1920s, sound revolutionized the motion picture: film studios transformed into major corporations, hiring a host of craftsmen and technicians... and it signaled the birth of the star system for many like Charlie Chaplin, Joan Crawford and Greta Garbo among others while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.

Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry... was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes to Washington, and Stagecoach.

From cold war hysteria and rampant anticommunist witch hunts to the lure of suburbia, television, and the new consumerism, the 1950s was a decade of... sensational commercial possibility coupled with dark nuclear fears and conformist politics. In the face of these social, political, and cultural conditions, Hollywood was under siege: from the Justice Department, which pressed for big film companies to divest themselves of their theater holdings; from the middle class, whose retreat to family entertainment inside the home drastically decreased the filmgoing audience; and from the House Un-American Activities Committee, which was attempting to purge the country of dissenting political views. In this difficult context, however, some of the most talented filmmakers of all time, including John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray, and Billy Wilder produced some of their most remarkable work. Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin’ in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, Bitter Victory, and many others. Provocative, engaging, and accessible to general readers as well as scholars, this volume provides a unique lens through which to view the links between film and the prevailing social and historical events of the 1950s.

A smug glance at the seventies-the so-called "Me Decade"-unveils a kaleidoscope of big hair, blaring music, and broken politics-all easy targets for... satire, cynicism, and ultimately even nostalgia. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American life and how the films of that decade represent a peak moment in cinema history.Far from a placid era, the seventies was a decade of social upheavals. Events such as the killing of students at Kent State and Jackson State universities, the Watergate investigations, the legalization of abortion, and the end of the American involvement in Vietnam are only a few among the many landmark occurrences that challenged the foundations of American culture. The director-driven movies of this era reflect this turmoil, experimenting with narrative structures, offering a gallery of scruffy antiheroes, and revising traditional genre conventions.Bringing together ten original essays, American Cinema of the 1970s examines the range of films that marked the decade, including Jaws, Rocky, Love Story, Shaft, Dirty Harry, The Godfather, Deliverance, The Exorcist, Shampoo, Taxi Driver, Star Wars, Saturday Night Fever, Kramer vs. Kramer, and Apocalypse Now .

During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back... grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade's best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era's most popular genre, ranging from upbeat fantasies to dark, dystopic visions. Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape .

This newly revised edition of the American Cinematographer Film Manual, edited by Stephen Burum, ASC, continues to be the standard, providing fully... updated, comprehensive coverage of cinematography from production to post.

This newly revised edition of the American Cinematographer Film Manual, edited by Stephen Burum, ASC, continues to be the standard, providing fully... updated, comprehensive coverage of cinematography from production to post.

For the first time since Charles Clarke's 1980 edition, the AC Manual has been edited by a professional cinematographer. The completely revised 9th... edition offers contributions from experts with more than 100 years of motion-picture experience. Its features include: • More than 30 new charts, including lighting intensities for more than 90 fixtures. • A completely revised camera section, rewritten by Jon Fauer, ASC • A new article on digital intermediates by Bill Feightner and Robert L. Eicholz of EFilm • Warner Bros. executive Rob Hummel's update of his classic "pros and cons" chapter, which now includes the latest digital postproduction techniques • A new chapter on hanging miniatures by visual-effects wizard Dan Curry • "Tak’s tips" from Panavision lens expert Tak Miyagishima • The most extensive section yet on motion-picture formulas, written by Evans Wetmore, vice president of advanced engineering at 20th Century Fox • A revised chapter on motion-control by visual-effects legend Richard Edlund, ASC, who has included the latest updates on digital technology

Designed to be used on its own or as a companion volume to the American Cities and Technology textbook. Chronologically, this volume ranges from the... earliest technological dimensions of Amerindian settlements to the 'wired city' concept of the 1960s and internet communications of the 1990s.Its focus extends beyond the US to include telecomunications in Asian cities in the late 20th century. The topics covered:* the rise of the skyscraper*the coming of the automobile age* relations between private and public transport* the development of infrastructural technologies and systems* the implications of electronic communications* the emergence of city planning.

In this look at what constitutes American citizenship, Judith Shklar identifies the right to vote and the right to work as the defining social rights... and primary source of public respect. She demonstrates that in recent years, although all profess their devotion to the work ethic, earning remains unavailable to many who feel and are consequently treated as less than full citizens.

In the spring of 1934, a small group of militant union organizers led Minneapolis truckers on a series of strikes that sought to break the city's... antiunion grip. The striking truckers, in protest of scab workers, took to the streets of the city's warehouse district where they faced violent opposition from the police and members of the Citizen's Alliance, a group representing Minneapolis's business community. The conflict exploded when police fired on the unarmed strikers, killing four and injuring countless others. The events surrounding Bloody Friday shifted the balance of power between labor and business in Minneapolis and proved to be a significant victory for the labor movement nationwide, contributing to the ratification of the landmark National Labor Relations Act. When first published in 1937, Charles Rumford Walker's American City was praised as an evenhanded portrayal of the truckers' strike. Focusing on the personal experiences of the participants, Walker recounts the interests, motives, and passions on both sides of the conflict, capturing the heated emotions of those involved. He offers a vivid account of a period that transformed Minneapolis and forged the way for workers' rights nationwide.

American Civil-Military Relations offers the first comprehensive assessment of the subject since the publication of Samuel P. Huntington’s... field-defining book, The Soldier and the State. Using this seminal work as a point of departure, experts in the fields of political science, history, and sociology ask what has been learned and what more needs to be investigated in the relationship between civilian and military sectors in the 21st century.Leading scholars—such as Richard Betts, Risa Brooks, James Burk, Michael Desch, Peter Feaver, Richard Kohn, Williamson Murray, and David Segal—discuss key issues, including:• changes in officer education since the end of the Cold War;• shifting conceptions of military expertise in response to evolving operational and strategic requirements;• increased military involvement in high-level politics; and• the domestic and international contexts of U.S. civil-military relations.The first section of the book provides contrasting perspectives of American civil-military relations within the last five decades. The next section addresses Huntington’s conception of societal and functional imperatives and their influence on the civil-military relationship. Following sections examine relationships between military and civilian leaders and describe the norms and practices that should guide those interactions. The editors frame these original essays with introductory and concluding chapters that synthesize the key arguments of the book. What is clear from the essays in this volume is that the line between civil and military expertise and responsibility is not that sharply drawn, and perhaps given the increasing complexity of international security issues, it should not be. When forming national security policy, the editors conclude, civilian and military leaders need to maintain a respectful and engaged dialogue. American Civil-Military Relations is essential reading for students and scholars interested in civil-military relations, U.S. politics, and national security policy.